Adultery -- Fiction; Artists -- Fiction; Illegitimate children -- Fiction; Painters -- Fiction; Young women -- Fiction
He spent the afternoons in libraries and museums. As often as he could do
so without inflicting his company too much upon them, he went to late tea
with the two girl artists at Via Vantaggio. As a rule they were both in;
sometimes there were other visitors. Heggen and Ahlin were nearly always
there. Twice he found Miss Winge alone, and once Francesca. They were
always in Jenny’s room, which was cosy and warm, although the windows
stood wide open until the last rays of light had faded. The stove glowed
and sparkled, and the kettle on the spirit-lamp was singing. He knew
every article in the room now—the drawings and photographs on the walls,
the flower vases, the blue tea-set, the bookshelf by the bed, and the
easel with Francesca’s portrait. The room was always a little untidy; the
table by the window was littered with tubes and paint-boxes, sketch-books
and sheets of drawing-paper; Jenny kicked brushes and painting rags under
it as she was laying the tea. There was often a litter of needlework or
half-darned stockings on the sofa to be put away before sitting down to
butter the biscuits. A spirit-lamp and toilet trifles were frequently
left lying about and had to be removed.
While these preparations were going on, Gram would sit by the stove and
talk to Francesca, but sometimes Cesca would take it into her head to
be domesticated and let Jenny be lazy. Jenny begged to be spared, but
Cesca hustled about like a whirlwind, putting all the stray articles
where Jenny could not find them afterwards, and ended up by putting
drawing-pins into pictures that would not hang straight, or curled
themselves on the wall, using her shoe as a hammer.
Gram could not understand Miss Jahrman at all. She was always nice and
friendly to him, but never as intimate and confidential as on the day
they had walked to Ponte Molle. Sometimes she was strangely absent; she
seemed not to grasp what he said, although she answered kindly enough.
Once or twice he thought he bored her. If he asked how she was, she
hardly answered, and when he mentioned her picture with the cypresses she
said sweetly: “You must not be offended, Mr. Gram, but I don’t care to
speak of my work before it is finished. Not now anyway.”
He noticed that Ahlin did not like him, and this egged him on. The
Swede, then, considered him a rival? He was under the impression that
Francesca had of late been less friendly with Ahlin.
Public-domain text, read in full here on John Shaqi.
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