Adultery -- Fiction; Artists -- Fiction; Illegitimate children -- Fiction; Painters -- Fiction; Young women -- Fiction
When he was by himself Helge turned over in his mind what he was going
to say to Francesca—in his imagination he held long conversations with
her. He longed for a talk like the one they had that day at Ponte Molle;
he wanted to tell her all about himself, but when he saw her he felt
nervous and awkward. He did not know how to lead the conversation on to
what he wanted to say, and he was afraid of being pressing or tactless;
afraid to do anything that made her like him less. She noticed his
embarrassment, and came to the rescue with chatter and laughter, and
made it easy for him to joke and laugh with her. He was grateful for
the moment; she filled the pauses with small talk and helped him along
when he made a start, but when he came home and thought it all over, he
was disappointed. Their conversation had again been about all sorts of
amusing trifles, nothing more.
When he was alone with Jenny Winge they always talked seriously—about
solid things, so to speak. Sometimes he was slightly bored with these
discussions on abstract matters, but more often he liked to talk to her,
because the conversation frequently turned from general matters to things
concerning himself. Gradually he got into the way of telling her a great
deal about himself—about his work, the difficulties he encountered in
life and those in himself. He noticed that Jenny avoided talking about
Francesca Jahrman with him, but not that she scarcely ever talked about
herself.
It did not occur to him that the reason why he could not talk to
Francesca as he talked to Jenny was that he wanted to appear far more
important, confident, and strong to her than he really believed himself
to be.
On Christmas Eve they all went to the club, and afterwards to the
midnight mass at S. Luigi de Franchesi. Helge found it very impressive.
The church was in semi-darkness, in spite of the lighted chandeliers;
they hung so high that their blaze of light was lost. The altar was one
solitary wall of light from the flashing golden flames of hundreds of
wax candles, and the subdued sound of the organ and the singing of the
choir floated through the church. He sat beside a lovely young Italian
woman, who took a rosary of lapis lazuli from a velvet case and prayed
fervently. Gradually Francesca began to mutter more and more audibly. She
was sitting beside Jenny in front of him.
“Let’s go, Jenny. You don’t think this gives you any sort of real
Christmas feeling, do you? It’s like an ordinary concert, and a bad one
at that. Listen to that man singing now—absolutely no expression. His
voice is absolutely done. Ugh!”
“Hush, Cesca! Remember you are in church.”
“Church! It’s a concert, I tell you—didn’t we have to get tickets and a
program? I can’t stand it. I shall lose my temper soon.”
“We’ll go after this if you like, but do keep quiet while we are here.”
Public-domain text, read in full here on John Shaqi.
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