Adultery -- Fiction; Artists -- Fiction; Illegitimate children -- Fiction; Painters -- Fiction; Young women -- Fiction
They ate out of doors in the sunshine under the vine, which threw a
shadow in the form of a fine bluish net over the tablecloth. Miss Palm
and Heggen wanted to decorate the table with daisies; the macaroni was
quite ready, but the others had to wait until they came back with the
decorations. The food was good and the wine was excellent; Cesca had
brought fruit, and coffee, which she was going to make herself, to make
sure it should be good. After dinner Miss Palm and Heggen investigated
marble reliefs and inscriptions that had been found on the site and
fitted into the masonry of the house. After a while they disappeared
round a corner. Ahlin remained sitting at the table smoking, his eyes
half shut against the glare.
The _osteria_ lay at the foot of a small hill. Gram and Jenny walked
up the slope at random. She picked small wild flowers that grew in the
yellow earth.
“There are masses of these at Monte Testaccio. Have you been there, Mr.
Gram?”
“Yes, several times. I went there yesterday to have a look at the
Protestant cemetery. The camelia trees are covered with blossoms, and in
the old part I found anemones in the grass.”
“Yes, they are out now. Somewhere at Via Cassia, beyond Ponte Molle,
there are lots of them. Gunnar gave me some almond blossoms this morning;
they have them already at the Spanish stairs, but I daresay they are
forced.”
They reached the top and began strolling about. Jenny walked with her
eyes on the ground; the short grass was springing up everywhere, and
variegated thistle-leaves and some big, silver-grey ones were basking
in the sun. They walked towards a solitary wall, which rose out of a
mound of gravel; the Campagna extended around them in every direction,
grey-green below the light spring skies and the warbling larks. Its
boundaries were lost in the haze of the sun. The city beyond them seemed
a mirage only, the mountains and the clouds melted together, and the
yellow arches of the canal appeared, only to vanish again in the mist.
The countless ruins were reduced to small, glistening pieces of walls,
strewn about on the green, and pines and eucalyptus trees by the red or
ochre houses stood solitary and dark on this fine day of early spring.
“Do you remember the first morning I was here, Miss Winge? I imagined I
was disappointed, and I believed it to be because I had longed so much
and dreamt so much that everything I was going to see would be colourless
and poor, compared to my dreams. Have you noticed how on a summer day,
when you lie in the sun with your eyes closed, all colours seem grey and
faded when you first open them? It is because the eyes are weakened by
not being used and cannot at once grasp the complexity of the colours
as they really are; the first impression is incomplete and poor. Do you
understand what I mean?”
Jenny nodded.
Public-domain text, read in full here on John Shaqi.
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