Adultery -- Fiction; Artists -- Fiction; Illegitimate children -- Fiction; Painters -- Fiction; Young women -- Fiction
The first part of the time out here, when at last she was freed from the
constant strain, was not pleasant. She realized that her every nerve was
quivering from the strain, and she thought it impossible ever to regain
her youth. From her stay in Florence she remembered only that she had
been cold, felt lonely, and been unable to assimilate all that was new
around her. Little by little the endless treasure of beauty was revealed
to her, and she was seized by a great longing to grasp it and live in
it, to be young, to love and be loved. She thought of the first spring
days when Cesca and Gunnar took her to Viterbo—of the sunshine on the
bare trees and the masses of anemones, violets, and cowslips in the faded
grass. Of the steppe-like plain outside the city, with fumes of boiling,
strongly smelling sulphur springs wafted through the air, and the ground
all round white with curdling lime. The thousands of swift emerald-green
lizards in the stone walls, the olive trees in the green meadows, where
white butterflies fluttered about. The old city with singing fountains
and black mediaeval houses, and the towers in the surrounding wall with
moonlight on them. And the yellow, slightly effervescent wine, with a
fiery taste from the volcanic soil on which it was grown.
She called her new friends by their names. In the night Francesca made a
confession of her young, eventful life, and crept into her bed at last to
be comforted, repeating time after time: “Fancy, you being like this! I
was always afraid of you at school. I never thought you could be so kind!”
Gunnar was in love with both of them. He was full of fire, like a young
faun in spring-time, and Francesca let herself be kissed, and laughed and
called him a silly boy.
But Jenny was afraid, though not of him. She dared not kiss his
hot, red mouth, for the sake of something intangible, intoxicating,
frivolous, which would last only while they were there amid sun and
anemones—something irresponsible. She dared not put aside her old self;
she felt that she could not take a flirtation light-heartedly, and
neither could he. She had already seen enough of Gunnar Heggen to know
that in his affairs with other women he was such as they were—and yet
not quite—for in his inmost self he was a good man, much better than
most women are. His infatuation had soon turned into friendship, and
during the lovely, peaceful time in Paris, when they had worked hard, and
afterwards out here, it had grown stronger and stronger.
Public-domain text, read in full here on John Shaqi.
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