Jeremy and Hamlet: A Chronicle of Certain Incidents in the Lives of a Boy, a Dog, and a Country TownWalpole, Hugh
General
Jeremy and Hamlet: A Chronicle of Certain Incidents in the Lives of a Boy, a Dog, and a Country Town
Walpole, Hugh
Boys -- Fiction; Dogs -- Fiction; England -- Social life and customs -- 19th century -- Fiction
Jeremy wore the cloak of innocence, sitting in the back row of the
French class with several of his dearest friends and all the class ready
to support him in any direction that he might follow.
“I beg your pardon, sir,” Jeremy said. “Did you say three hundred
lines?”
“That is the exact amount,” said M. Clemenceau, “that I require from you
_immediatement_.”
“I beg your pardon,” said Jeremy politely.
“I need not repeat,” said M. Clemenceau. “Three hundred lines by you at
once for impertinence three days previous.”
“Why, sir, surely,” said Jeremy, “you told me that I need not do them
this term because . . .”
“No because,” interrupted M. Clemenceau at the top of a rather squeaky
voice. “There is no because.”
“But, sir,” began Jeremy; and from all sides of the class there broke
out: “Why, certainly, sir, don’t you remember——” and “Cole is quite
right, sir; you said——” and “I think you’ve forgotten, sir, that——”
and “It really wouldn’t be fair, sir, if——” A babel arose. As the boys
very well knew, M. Clemenceau had a horror of too much noise, because
Thompson was holding a class in the next room, and on two occasions that
very term had sent a boy in to request that if it were possible M.
Clemenceau should conduct his work a little more softly. And this had
been agony for M. Clemenceau’s proud French spirit. “I will have
silence,” he shrieked. “This is no one’s business but mine and the young
Cole. Let no one speak until I tell them to do so. Now, Cole, where are
the three hundred lines?”
There was a complete and absolute silence.
“Vill you speak or vill you not speak?” M. Clemenceau cried.
“Do you mean me, sir?” asked Jeremy very innocently.
“Of course, I mean you.”
“You said, sir, that no one was to speak until you told them to.”
“Well, I tell you now.”
Jeremy looked very injured. “I didn’t understand,” he said. “If I could
explain to you quietly.”
“Well, you shall explain afterwards,” said M. Clemenceau, and Jeremy
knew that he was saved because he could deal _à deux_ with M. Clemenceau
by appealing to his French heart, his sense of honour, and a number of
other things, and might even, with good fortune, extract an invitation
to tea, when M. Clemenceau, in his very cosy room, had a large supply of
muffins and played on the flute. “Yes,” he thought to himself as they
pursued up and down the class-room, sometimes ten at a time, sometimes
only three or four, the intricacies of that French grammar that has to
do with the pen of my aunt and the cat of my sister-in-law and “this is
going to be a splendid day.”
II
Public-domain text, read in full here on John Shaqi.
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