Jewels and the woman: The romance, magic and art of feminine adornment — John Shaqi
Jewels and the woman: The romance, magic and art of feminine adornmentOstier, Marianne
History
Jewels and the woman: The romance, magic and art of feminine adornment
Ostier, Marianne
Jewelry
An honest appraisal of what looks forth from the glass is the beginning
of its improvement. Nature has given few women features without flaw;
and there is little of personal charm in the prize “perfection” of
professional beauty in the face of the beauty-contest “queen.” Even the
most beautiful of women can have that beauty enhanced. Cosmetics are no
more than a base upon which jewelry spreads its charm. Jewels are the
oldest and most proven help to beauty.
And the most lasting. The precious stones that Cleopatra wore for the
admiration of three monarchs still hold their pristine fire, and no doubt
sparkle on the throat and hand of some fair lady of today. If the cost
of a jewel is measured against the duration of its usefulness—even apart
from its beauty, its small bulk, and its ready possibility of resale—it
is clear that there is no better investment. Nor is there any monotony in
a precious stone. It takes new glow in various lights. A little ingenuity
will suggest variations in its use. And as fashions change, the permanent
values in the stone itself can be displayed in new settings.
_A Stone’s Best Setting_
The most permanent aspect of the setting of a precious stone is, of
course, the wearer herself. When asked for his wisest counsel, the old
sage replied: Know thyself. As a later poet put it, “The proper study of
mankind is man.” This also holds for woman. A full and frank estimate of
the physical features must precede any proper attempt to adorn them.
Consider, for instance, the bone structure. Heavy bones are usually
associated with wide shoulders, square cheek bones and strong, pronounced
wrists, whereas small bones usually mark a slight build, with slender
fingers and small wrists. A woman with wide cheek bones should naturally
wear earclips and necklaces that look heavier, to balance her appearance.
This proportion should be observed throughout her jewelry wardrobe, with
heavier and higher-built rings, bulkier bracelets, larger brooches and
clips.
A woman of heavier build emphasizes this fact when she wears a tiny ring
and a clip that looks lost on her bosom. On the other hand, a petite
person may easily seem overpowered, even dwarfed, by a massive set of
jewelry. She will be fittingly adorned with light and airy pieces, with
the stones set individually in a dainty style.
_Types of Women_
The basic choice, then, depends first upon the woman’s own
characteristics. Can she call herself the “tailored type”, or “petite”,
or “sophisticated”? Within each of these general groupings the next
consideration is the contour of the face. This may be round or oval.
Yet there are, of course, countless variations within and between these
types, and each woman should remember that her characteristics build up
into a distinct and unique personality. It is that unique and precious
whole which is herself that each woman should explore, so as to know her
potentialities and her needs.
_The Major Metals_
Public-domain text, read in full here on John Shaqi.
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