Jewels and the woman: The romance, magic and art of feminine adornmentOstier, Marianne
History
Jewels and the woman: The romance, magic and art of feminine adornment
Ostier, Marianne
Jewelry
What looks most attractive against the dark velvet on a counter may fail
to harmonize with golden glinting hair. The size of the earlobe, the
figure of the woman, the color of the dress, the activity of the evening,
all are factors in determining which jewels one should wear. Jewels have
a long history, but always an immediate test of use. In both aspects,
they hold an ever present allure.
MARIANNE OSTIER
[Illustration]
PART ONE
[Illustration]
_Jewels: History, Character, Magic_
CHAPTER 1
_The Story of Jewels_
_The Earliest Uses_
There are as many guesses about the origin of adornment as about the
origin of language. The most popular theories might be called the
functional, the magical, and the aesthetic.
When man first felt cold, says the functional theory—or when he first
felt shame and hid his shame with the fig leaf—he had to find some
way of fastening his garments. The leaves, the furs, the hides, would
slip off unless adequately held together, especially when the man was
running in swift hunt, or the woman bending under domestic burdens.
The first fastenings were probably strands of vinestalks, lashes of
interlaced leaves. Then pins made of long thorns, of wood, or of the
bones of animals came into use. Pins of the last sort have been found
in prehistoric caves. Naturally, iron, bronze, silver and gold pins
followed, as the use of these metals became known. Crude safety pins, in
form essentially the same as those we use today, have been unearthed in
the most ancient tombs.
The transition from bone to metal may be observed in the word _fibula_,
the early Latin word for a clasp. For the long outer leg bone is also
called the fibula, and it looks like the tongue of a clasp, for which the
other bone, the tibia, is the holder. And the word _fibula_ comes from
the Latin verb _fivere_, meaning to fasten.
On even the earliest pins, however, and especially on the domed backs
of safety pins and clasps, there are curious carvings of dots and
circles and other forms, which give scope to the second theory of the
origin of adornment, the magical. For along with these fasteners are
found necklaces of beads and other adornments that served no practical
end—except the very important purpose of placating the gods, of warding
off evil.
Public-domain text, read in full here on John Shaqi.
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