Moira was about fourteen years of age, slim, but not very well formed,
with all the awkward movements of a shy girl growing up rapidly. When it
is remembered that she had never seen any place very much larger than
Daisley Cross, save when she had taken little excursions with Old Paul
and the others to neighbouring towns, it is not to be wondered at that
that first coming to London was a shock greater than can well be
described. The coming to the fringe of it--that fringe which was not
London at all, and yet had long since left the country behind, and was a
dreary expanse of roofs and chimney-pots--cleaner roofs and newer
chimney-pots than were to be found further in. After that, the roar and
the rush beating up about the carriage of the train like a great angry
sea; men and women crowding and hurrying everywhere in the streets down
below them, and on the stations through which they flew; and then,
lastly, London itself, and the demon of Noise let loose upon them! Where
in all that turmoil through which they had almost to fight their way was
to be found Jimmy, as she had seen him last going up the quiet hill in
the rain, on a morning that seemed to be set years back in the ages?
Patience had taken some tiny furnished rooms in the top part of a house
in a small street in Chelsea; one of the narrowest streets imaginable;
and there, in a dull, ordinary, complete fashion, she settled down with
the girl; folded her hands--and was at rest.
But Moira? This child of the woods and the fields and the birds and the
flowers; this little sensitive loving soul that craved the touch of
loving hands and the whisper of loving words; what of her? On how many
hopeless nights was she to stare out, wet-eyed, over the hideous
streets, and wonder if this was the end, and if, like Patience, she was
to grow old in these top rooms, and never see the world again, and never
hear of anyone. On how many nights as she sat with her knitting or her
needlework (for Patience knew her duty, and knew that in these things
for the young lay salvation), did she glance past the lamp on the little
table, and look at the sleeping woman whose spectacles had been
carefully lifted off and laid on the table before she composed herself
in her arm-chair. Always the lamp burning there--and the woman
sleeping--and the silence of the room--and the memories that would not
die, and that the child did her best indeed to keep alive.
Now it was Old Paul, wandering with her through the woods; she had only
to move that hand from her knitting for a moment, and close her eyes
stealthily, to feel the warm touch of his fingers again. Oh, God! the
warm touch of his fingers!
Public-domain text, read in full here on John Shaqi.
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