She remembered her duties strongly enough presently, and came back with
added bitterness to make up for that temporary weakness, and swept the
children off to bed. Old Paul stood at the foot of the stairs, and
called out messages to them as they went; then turned with a smile and a
sigh into his own room, and started to light a pipe. He stretched his
long figure in a chair, and sighed, and leaned back, and seemed to be
dreaming about the day.
And then, after a little time, sat up in the attitude of one listening.
He laid down the pipe, and kept his eyes fixed upon the door of the
room; noted with a little exultant nod that the door was softly opening,
and that someone was coming in. It was the dark-eyed girl Moira.
She had thrown a little dressing-gown over her nightdress; the little
white, slim feet were bare. Once having peeped into the room, and seen
that Old Paul was alone, she crept forward swiftly, and was in his arms
in a moment. For this was their sacred hour; this the time when she
innocently cheated old Patience, and crept from her bed to come to the
man who was all her world. And they were quite silent over it for a
minute or two; sufficient for them that the quiet world held only
themselves--this child and the man who loved her.
"My little maid!" he whispered at last. "So you've been in the woods all
day--with Jimmy?"
She stirred in his arms, and seemed to nod her head. "But this is better
than all the woods," she whispered. "This is the time you belong to
me--and only to me."
"Hungry, jealous little maid!" he whispered again. "I'm afraid that big
heart of yours aches sometimes for no cause. What will love do to you in
the big world, Moira?"
"I don't understand," she whispered, looking at him in perplexity.
"Well that you shouldn't, little maid," was his reply; and he kissed her
quickly as he spoke.
He watched her presently as she glided--a white shadow among grey
ones--upstairs to her room, and came back to his chair and his pipe with
a thoughtful frown upon his face. And in the smoke from his pipe seemed
to trace out, in a shadowy fashion, something of who he was, and what he
was, and how he came to be Old Paul of that big house at Daisley Cross.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account