Rural Essex was long the unchanging East, and there are still ploughmen
who watch the airmen thunder by, then plunge into their prog again. The
shepherds who pour their fleecy streams between its hedgerows are still
as primitive as the herdsmen of Chaldea, and there are yokels who dangle
sideways from their slow beasts as broodingly as the Bedouins of
Palestine. Even to-day the spacious elm-bordered landscapes through
which Jinny’s cart rolled and her dog circumambiently darted, lie
ignored of the picture postcard, and on the red spinal chimney-shaft of
Frog Farm the doves settle with no air of perching for their
photographs. Little Bradmarsh is still Little, still the most reclusive
village of all that delectable champaign; the Brad still glides between
its willows unruffled by picnic parties and soothed rather than
disturbed by rusty, ancient barges. But when Gran’fer Quarles first
brought little Jinny to these plashy bottoms, the region it watered—not
always with discretion—was unknown even to the gipsy caravans and
strolling showmen, and quite outside the circuit of the patterers and
chaunters who stumped the country singing or declaiming lampoons on the
early Victoria; not a day’s hard tramp from Seven Dials where they
bought their ribald broadsheets, yet as remote as Arabia Felix.
CHAPTER I
BUNDOCK ON HIS BEAT
_He comes, the herald of a noisy world,_
_With spattered boots._
COWPER, “The Task.”
I
IT had rained that April more continuously than capriciously, but this
morning April showed at last her fairer face. The sunshine held as yet
no sense of heat, only the bracingness of a glad salt wave. Across the
spacious blue of the Essex sky clouds floated and met and parted in a
restful restlessness. The great valley swam in a blue sea of vapour. Men
trod as on buoyant sunshine that bore them along. The buds were peeping
out from every hedge and tree, the blackthorn was bursting into white,
the whole world seemed like a child tiptoeing towards some delightful
future. Primroses nestled in every hollow: the gorse lay golden on the
commons. The little leaves of the trees seemed shy, scarcely grown
familiar with the fluttering of the birds. All the misery, pain, and
sadness had faded from creation like a bad dream: the stains and
pollutions were washed out, leaving only the young clean beauty of the
first day. It was a virgin planet, fresh from the hands of its Maker,
trembling with morning dew—an earth that had never seen its own
blossoming. And the pæan of all this peace and innocence throbbed
exultingly in bird-music through all the great landscape. Over the
orchard of Frog Farm there were only two larks, but you would have
thought a whole orchestra.
Public-domain text, read in full here on John Shaqi.
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