A blot against this background seemed the blood-red shirt of Caleb Flynt
in that same orchard; a wild undulating piece of primeval woodland where
plum-trees and pear-trees indeed flourished, but not more so than oaks
and chestnuts, briars and brambles, or fairy mists of bluebells. The
task of regenerating it had been annually postponed, but now that Caleb
was no longer the Frog Farm “looker,” it formed, like his vegetable
garden, his wheat patch, or his wife’s piggery, a pleasant
pottering-ground. He worked without coat or smock, chastening the ranker
grass while the dew was still on it—or in his own idiom, “while the dag
was on the herb.” White-bearded and scythe-bearing, he
suggested—although the beard was short and round and he wore a
shapeless grey hat—a figure of Father Time, incarnadined from all his
wars. But in sooth no creature breathed more at one with the earth’s
mood that morning than this ancient “Peculiar,” whose parlour bore as
its text of honour—in white letters on a lozenge of brown paper: “When
He giveth quietness, who then can make trouble?”
Quietness was, indeed, all around him in this morning freshness: the
swish of the scythe, the murmurous lapse of shorn grass, the drone of
insects, the cooing of pigeons from the cote, the elusive cry of the
new-come cuckoo, seemed forms of silence rather than of sound. And his
inner peace matched his outer, for, as his arms automatically wielded
the scythe, his soul was actually in heaven—or at least in the New
Jerusalem which, according to his wife’s novel Christadelphian creed,
was to be let down from heaven for the virtuous remnant of earth—and at
no distant date! Not that he definitely believed in her descending city,
though he felt a certain proprietary interest in it. “Oi don’t belong to
Martha’s Church,” he reassured his brethren of the Peculiar faith, “but
Oi belongs to she and she belongs to me.”
Public-domain text, read in full here on John Shaqi.
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