Joan was three years old when Agincourt was lost and won. It was a far
cry from upper Normandy to the province of Bar where Domrémy lay; the
Meuse flowed tranquilly by, but no echoes of the English war reached it
at this time. Life went peacefully on; the children, as I have said,
drove the cattle to the river meadows, frolicked beside the clear
stream, gathering flowers, singing the immemorial songs of France; and
as evening closed, drove them home again to the farm: or they tended
their sheep on the Common, or followed their pigs through the oak forest
that stretched behind and above it. In the forest lurked romance and
adventure, possible danger. There were wolves there; no doubt about
that. There were also, most people thought, fairies, both good and bad.
Near the village itself stood the great beech tree known as "the Ladies'
Tree," or the "Fairies' Tree," with its fountain close by, the Fountain
of the Gooseberry Bushes, where people came to be healed of various
diseases. Another great tree was called "_Le Beau Mai_," and was even
more mystical. Who knows from what far Druid time came the custom of
dancing around its huge trunk and hanging garlands on its gnarled
boughs? They were pious garlands now, dedicated to Our Lady of Domrémy;
but it was whispered that the fairies still held their revels there. The
lord of Bourlemont and his lady sometimes joined the dancing; had not
his ancestor loved a fairy when time was, and been loved of her? They
never failed to join the rustic festival that was held under the Fairy
Tree on the "Sunday in Lent called _Laetere_, or _des Fontaines_." One
of Joan's godmothers said she had seen the fairies: Joan never did. She
hung garlands, with the other little girls; danced with them hand in
hand, singing. One would like to know the songs they sang. Was one of
them the quaint ditty whose opening lines head this chapter?
"_Quand j'étais chez mon père, petite Jeanneton,
La glin glon glon,
M'envôit a la fontaine pour remplir mon cruchon!_"
Or was it the story of that _vigneron_ who had a daughter whom he would
give to neither poor nor rich, _lon la_, and whom he finally saw carried
off by a cavalier of Hungary,
"_La prit et l'importa,
Sur son cheval d'Hongrie, lon la!_"
A warning to selfish Papas. Or did there come to Domrémy, wandering down
the Meuse as the wind wanders, some of those wild, melancholy sea-songs
that the Corsairs and the fishermen sang, as they sharpened their
cutlasses or drew their nets in harbor?
"_Il était trois mâtelots de Grois,
Embarqués sur le Saint Francois,
Tra la derida la la la!_"
Olivier Basselin, of Val-de-Vire, died when Joan was six years old, but
his songs are alive to-day: gay little songs, called from the place of
their origin "_Vaux-de-Vire_," whence the modern word _vaudeville_.
Perhaps Joan and her playmates sang his songs; I do not know.
Public-domain text, read in full here on John Shaqi.
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