Overhead, a low-hung bosom of dusky vapour borrowed a dull blush from
the fires of life that blazed beneath. In the west, beyond the
silhouetted structure of the Elevated and the less distinct profile of
buildings on the far side of Central Park, the clouds blazed luridly
with their own dread fires--a fitful, sheeted play athwart gigantic
curtains, to an accompaniment of dull and intermittent grumbles.
A soft, warm breath sighed down the breathless street, and sighing,
died. Another, more cool and brusque, swept sharp upon the heels of the
first, played with the littered rubbish of the pavements, caressed with
a grateful touch flesh still stinging with the heat of day, and drove
on, preceded by a cloud of acrid dust. A few drops of lukewarm water
maculated the sidewalks with spots as big as dollars. There followed a
sharper play of fire, and one more near. Children ran shrieking to
shelter, and men and women dodged into convenient doorways or scudded
off clumsily. The wind freshened, grew more chill.... Then, so suddenly
that there might as well have been no warning, on the wings of the
howling blast, laced continually with empyrean fire, timed by the
rolling detonations of heavy artillery now near, now far, a shining
deluge sluiced the streets and made its gutters brawling rivulets.
A lonely, huddled figure, standing back in the entry, well out of the
spray from the spattering drops, Joan waited the passing of the storm
with neither fascination nor fear. Self-absorbed, her mood almost
altogether introspective, she weighed her reckless plans. The crisis
bellowed overhead in a series of tremendous, shattering explosions,
bathing the empty street in wave after wave of blinding violet light,
without seriously disturbing the slow, steady processes of the girl's
mentality.
Then she became aware of a young man who had emerged from the darksome
backwards of the tenement, so quietly that Joan had no notion how long
he might have been standing there, regarding her with interest and
amusement in his grey eyes and on his broad, good-humoured countenance.
He had a long, strong body poised solidly on sturdy legs, short arms
with large and efficient hands; and bore himself with a careless
confidence that did much to dissemble the negligence of his mode of
dress--the ill-fitting coat and trousers, the common striped "outing
shirt," the rusty derby set aslant on his round, close-cropped head.
Joan knew him as Ben Austin, one of the few admirers whose attentions
she was wont to suffer: by occupation a stage-hand at the Hippodrome; a
steady young man, who lived with his mother in one of the rear flats.
He greeted her with a broadening grin and a "Hello, Joan!"
She said with indifference: "Hello, Ben."
"Waitin' for the rain to let up?"
"No, foolish; I'm posing for a statue of Patience by a sculptor who's
going to be born tomorrow."
This answer was brilliantly in accord with the humour of the day. Austin
chuckled appreciatively.
Public-domain text, read in full here on John Shaqi.
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