Tying the ropes about him was not necessary as he did not leave the
cabinet anyhow, but it added to the effectiveness of the illusion. But
on this evening, after the electric wire broke causing a short circuit,
the tying of the ropes was well-nigh fatal, for the professor could not
move in order to escape, and had to stay while the current burned him.
Luckily, however, Joe acted in time.
As has been intimated, the two front legs of the cabinet were really
the positive and negative termini for the wires that were inside the
box. These legs stood in two sockets in the floor of the stage, and to
them ran the wires from the theatre's circuit. When the helpers lifted
the cabinet up, to show, ostensibly, that it had no connection with the
floor, they put the legs down in the hidden sockets. Thus the
connections were made. As can be seen, Joe had but to lift the cabinet
away to break the connection.
In spite of the accident, the trick had ended satisfactorily, thanks to
the quick work of Joe Strong. His strength, too, played not a little
part in this, for ordinarily the cabinet required two men to shift it.
But Joe had a knack of using his powerful muscles to the best
advantage, and it was this, with his most marvelous nerve, that enabled
him to do so many sensational things, about which this and future
volumes concerning our hero will tell.
The professor having been sent to his hotel to rest, and the
pantomimist having finished his act, Joe went out on the stage to
continue the performance. He made no reference to the non-appearance
of the chief performer, letting it be taken for granted that Professor
Rosello had finished his part in the entertainment.
"I would now like to borrow a gold gentleman's watch," began Joe; this
misplacement of words never failing to bring out a laugh. He then
proceeded to perform the trick of apparently smashing a borrowed watch,
firing the fragments from a pistol at a potted plant, and causing the
reunited watch to appear among the roots of the pulled-up flower.
As this trick has been described in detail in the first volume of this
series, exposing just how it is done, the description will not be
repeated here. In that book will also be found the details of how Joe
made an ordinary egg float or sink in a jar of water, at his pleasure.
(This is a trick one can easily do at home without apparatus.) Joe did
that trick now, and also the one of lighting a candle, causing it to go
out and relight itself again while he stood at one side of the stage,
merely pointing his wand at the flickering flame. (See the first
volume.)
Joe now essayed another trick. He brought out a bottle, apparently
empty, and said that it was a magical flask.
"From this I am able to pour three kinds of drinks," he stated. "Some
persons like water, others prefer milk, while nothing but grape juice
will satisfy some. Now will you kindly state which drink you like?"
and he pointed to a man in the front row.
Public-domain text, read in full here on John Shaqi.
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