One of the stage hands gave the helper the address of the nearest
physician, and, fortunately, he was in his office. The doctor came at
once and put a soothing ointment on the burns of the professor's back,
where the electric sparks had penetrated his clothing.
"That's better," remarked the magician with a sigh of relief. "I guess
we'll have to ring down the curtain, Joe. I can't go on."
"I'll finish the show," declared the boy wizard.
"Can you do it?"
"Not as well as you, of course. But I think I can keep them
interested, so they will feel they have had their money's worth. I'll
carry on the show. I can vary my egg and watch tricks a bit, and I'll
do that wine and water one, bringing the live guinea pig out of the
bottle."
"All right, Joe, if you think you can. I'm not equal to any more. I
think I'd better go to the hotel."
"I think so too, Professor. Now don't worry. I'll carry on the show
as best I can."
"And I think you can do it well, Joe. I'm proud of you. If it hadn't
been for you stopping the electric current when you did I would be dead
now."
"Oh, I hardly think it was as bad as that."
"Yes it was. One of those wires broke. After this I'll examine every
connection a minute before I go into the cabinet. You saved my
life--this is the second time. Once at the fireworks factory, and
again to-night. I'll be so deeply in your debt, Joe, that I can never
pay you."
"Oh, don't worry about that," laughed the boy wizard, now much relieved
in mind. With the professor safe he could go out on the stage with a
light heart and an easy mind. He was used to facing the public, but
this meant that he would have to do more tricks than usual, and some
that were particularly the professor's own, though Joe knew how they
were worked.
When the physician had relieved the sufferer, Joe called a carriage and
sent the magician to the hotel where they were staying. Then the
pantomimist having finished, Joe prepared to go on with some illusions.
And right here, while Joe is making his preparations, a description of
the "fire trick" can be given.
The cabinet was, of course, a trick one. That is, it was provided with
hidden electric contrivances so that when the professor stepped into
it, by merely pressing a button he could have a shower of sparks shot
out all around him. As he was insulated, these sparks could not injure
him.
On the heavy silk robe he wore there had been painted the grinning
skeleton. It was painted with a secret chemical paint, and when
subjected to a flow of electricity the bones and skull showed outlined
in fire. The professor, keeping well back toward the rear of the
cabinet, was invisible.
Public-domain text, read in full here on John Shaqi.
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