Johann Sebastian Bach: His Life, Art, and Work — John Shaqi
Johann Sebastian Bach: His Life, Art, and WorkForkel, Johann Nikolaus
History
Johann Sebastian Bach: His Life, Art, and Work
Forkel, Johann Nikolaus
Bach, Johann Sebastian, 1685-1750; Composers -- Germany -- Biography
Vespers began at a quarter past one and was a comparatively simple
service; the music consisted of Hymns, a Motet, and the Magnificat. On the
last three Sundays in Advent and throughout Lent neither Cantatas nor
Motets were sung. The Organ was silent. On the three great Festivals the
appointed Hymn for the season was sung at the beginning of the principal
service, before the Organ Prelude: at Christmas, Puer natus in Bethlehem;
at Easter, Heut’ triumphiret Gottes Sohn; at Whitsuntide, Spiritus Sancti
gratia. During the Communion service the Sanctus and concerted music were
sung. A festal hymn followed the Benediction. The three great Festivals
were each observed for three consecutive days, on the first and second of
which Cantatas were sung at both churches. On the third day concerted
music was sung at only one of the two churches.
The other week-day Festivals for which Cantatas were provided were the
Feast of the Circumcision (New Year’s Day), Epiphany, Ascension Day,
Purification of the B.V.M., Annunciation of the B.V.M., Visitation of the
B.V.M., Feast of St. John Baptist (Midsummer Day), Feast of St. Michael
the Archangel. The Reformation Festival was kept on October 31, or if that
date was a Saturday or Monday, on the previous or following Sunday.
On Good Friday the Passion was performed in the two principal churches
alternately. Leipzig adopted no official Hymn-book. The compilation from
which the Hymns were chosen by Bach was the eight-volumed Gesangbuch of
Paul Wagner, published at Leipzig for Dresden use in 1697. It contained
over five thousand Hymns but no music, merely the name of the tune being
stated above the Hymn. For the most part the Hymns for special, and even
for ordinary, occasions were prescribed by custom. Otherwise the power of
selection was in the hands of the Cantor, and Bach’s exercise of it caused
some friction with the clergy in 1728.
The provision and direction of the music at weddings and funerals was in
the Cantor’s hands. He arranged the choirs and the music sung at the
scholars’ annual processions and perambulations of the town, which took
place at Michaelmas, New Year, and on St. Martin’s and St. Gregory’s Days.
Augmenting the School’s choristers, the Town Musicians took part in the
Church services and were under the Cantor’s direction. Their numbers and
efficiency were inadequate.
Public-domain text, read in full here on John Shaqi.
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