Between these two houses ran what the villagers called the High
Street; and the eye followed the road, patched here and there with
dark-coloured grass, for nearly a third of a mile, noting the
gable-roofed houses that looked at each other from either side;
the blacksmith’s shed, where the bellows were always roaring; the
flat-roofed baker’s shop, standing importunately forwards, away from
the little house in which the baker lived; the butcher’s hard by;
the apothecary’s next to that; and the linendraper’s shop, which had
absorbed the frontage of no less than two solemn-looking houses--noting
these and other details contributing to the carnal or frivolous
interests of the place, until it settled upon a small building, which,
standing in the centre of the road, narrowed it into a large and a
small lane, and thus marked the extent and importance of the High
Street.
Our story opens on a summer’s evening. The daylight is still abroad
upon the distant hill-tops, but the twilight has fallen like an
inaudible hush upon Southbourne, and the farmyards are tranquil, save
when, now and again, some uncomfortable hen seeking a resting-place
near to her sovereign cock hops for his perch, but in hopping falls and
awakens the sleepers with her fluttering scrambles and keen notes of
distress, echoed by a hundred wondering throats.
The evening is warm, and many of the house doors are open; and at
these open doors sit, here and there, men in their shirt-sleeves, or
in homely smocks, smoking long pipes, and addressing each other from
across the road with voices bespeaking laborious thought, which demands
many reflective puffs to clarify and adjust. Now the apothecary’s
boy comes out and lights the coloured lamp over the door, while the
apothecary within sets two wax candles against his brilliant globes of
lustrous dyes and illuminates the darksome roadway with a crimson and a
yellow gleam. Now the linendraper’s assistant steps forth and puts up
the shutters to his master’s windows, whilst the master himself struts
along the floor, flapping his counter with a dust-brush, and inhaling
the appetising perfume which streams from an inner room, and which
is the best assurance he could demand that his supper is preparing.
Anon comes a lame man, armed with a ladder, a lanthorn, and a can of
oil at his girdle; he sets the ladder against a lamp-post, and in five
minutes’ time succeeds in kindling a faint uncertain light in the
darkling air. Thrice does he perform this laborious duty, and then, lo!
the High Street is illuminated.
Public-domain text, read in full here on John Shaqi.
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