These lights seem to act as signals for sundry groups of gossips,
standing here and there along the dusty road, to disperse. The small
cackle of talk, like the click of wheels driven against springs,
ceases; the old hobble towards the houses, the young follow yet more
leisurely; the gloom deepens; one by one the doors are closed and
little yellow lights twinkle mistily upon the latticed windows. And
now, though the clock of St. George’s Church has not yet tolled the
half-hour past eight, one may easily see that the good village of
Southbourne, with one eye upon the candles, costly at sixteenpence the
pound, and another eye upon the early hour that is to expel it from its
slumbers into the fields and the workshops, is making what haste it can
to creep with heavy eyelids into bed.
* * * * *
In the house that looks askant down the road and breaks the
thoroughfare into lanes, there is a sorrow at work that should seem
absolutely inconsistent with the serenity and peace of the summer
evening outside.
Three persons are seated in a cosy room; a tall lamp on a table sheds a
soft light upon the walls; the window is open, and the large tremulous
stars look in through the branches of the elms which front the little
building. How sweet is the smell of the clematis about the window!
and see, a great black moth whirrs towards the lamp and occupies the
silence with its vigorous slaps against the ceiling.
The old woman in the high-backed chair, looking down upon her placid
hands, is a perfect picture of handsome old age: hair white as snow;
a sunken cheek touched with a hectic that passes well for, if indeed
it be not, the bloom of health; a garrulous under lip; a mild and
benevolent expression. She is dressed in an antique satin gown, and a
fine red silk handkerchief, as large as a shawl, is pinned about her
shoulders.
Facing her sits a young man, broad-shouldered and bronzed, with large
lustrous black eyes and dark wavy hair. He wears a pilot cloth coat and
black trousers, bell-mouthed at the feet, and a plain silver ring upon
his left hand.
Close beside him, on a low chair, sits a young girl, with a sweet and
modest face, and bright yellow hair which shines in the lamplight like
gold, and blue eyes filled now with tears.
So they sit, so they have sat, for many minutes in silence, and nothing
is heard but the ticking of the clock on the mantelpiece, or the
awkward moth that hits the ceiling, or now and again the melancholy
plaint of some dreaming or belated bird from the dark country that
stretches outside like a vision under the throbbing starlight.
Presently the old lady, lifting her head, says:
“I don’t think it pleases God that people’s hearts should be sorrowful.
Nothing should grieve us but the fear of His anger; and if there be
truth in religion, and any wisdom in human experience, there is nothing
in this world that should make us sad.”
The girl presses her hand to her eyes, and answers in a broken voice:
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account