Also, in those days, there were “chairmen”—affable gentlemen, who would drink anything at anybody’s expense, and drink any quantity of it, and never seem to get any fuller. I was introduced to a Music Hall chairman once, and when I said to him, “What is your drink?” he took up the “list of beverages” that lay before him, and, opening it, waved his hand lightly across its entire contents, from clarets, past champagnes and spirits, down to liqueurs. “That’s my drink, my boy,” said he. There was nothing narrow-minded or exclusive about his tastes. It was the chairman’s duty to introduce the artists. “Ladies and gentlemen,” he would shout, in a voice that united the musical characteristics of a foghorn and a steam saw, “Miss ’Enerietta Montressor, the popular serio-comic, will now happear.” These announcements were invariably received with great applause by the chairman himself, and generally with chilling indifference by the rest of the audience. It was also the privilege of the chairman to maintain order, and reprimand evil-doers. This he usually did very effectively, employing for the purpose language both fit and forcible. One chairman that I remember seemed, however, to be curiously deficient in the necessary qualities for this part of his duty. He was a mild and sleepy little man, and, unfortunately, he had to preside over an exceptionally rowdy audience at a small hall in the South-East district. On the night that I was present, there occurred a great disturbance. “Joss Jessop, the Monarch of Mirth,” a gentleman evidently high in local request was, for some reason or other, not forthcoming, and in his place the management proposed to offer a female performer on the zithern, one Signorina Ballatino. The little chairman made the announcement in a nervous, deprecatory tone, as if he were rather ashamed of it himself. “Ladies and gentlemen,” he began,—the poor are staunch sticklers for etiquette: I overheard a small child explaining to her mother one night in Three Colts Street, Limehouse, that she could not get into the house because there was a “lady” on the doorstep, drunk,—“Signorina Ballatino, the world-renowned—” Here a voice from the gallery requested to know what had become of “Old Joss,” and was greeted by loud cries of “’Ear, ’ear.” The chairman, ignoring the interruption, continued: “—the world-renowned performer on the zither—” “On the whoter?” came in tones of plaintive inquiry from the back of the hall. “_Hon_ the zither,” retorted the chairman, waxing mildly indignant; he meant zithern, but he called it a zither. “A hinstrument well-known to anybody as ’as ’ad any learning.” This sally was received with much favour, and a gentleman who claimed to be acquainted with the family history of the interrupter begged the chairman to excuse that ill-bred person on the ground that his mother used to get drunk with the twopence a week and never sent him to school.