Lyly, John, 1554?-1606 -- Criticism and interpretation
The tale ended and the voyage over, our friends arrive in England, where
after stopping at Dover "3 or 4 days, until they had digested ye seas,
and recovered their healths," they proceeded to Canterbury, at which
place they fell in with an old man named Fidus, who gave them
entertainment for body and mind. To those who have conscientiously read
the whole history of Euphues up to this point, the incident of Fidus
will appear immensely refreshing. It seems to me, in fact, to mark the
highest point of Lyly's skill as a novelist, doubtless because he is
here drawing upon his memory[93] and not his imagination. The old
gentleman, very different from his prototype Eubulus, moves quite
humanly among his bees and flowers, and tells the graceful story of his
love with a charm that is almost natural. And, although he checks the
action of the story for thirty-three pages, we are sorry to take leave
of this "fatherlye and friendlye sire"; for he lays for a time the ghost
of homily, which reappears directly his guests begin to "forme their
steppes towards London." Having reached the Court, in due time
Philautus, in accordance with the prophecies of Euphues though much to
his disgust, falls in love. The lady of his choice, however, has
unfortunately given her heart to another, by name Surius. The despondent
lover, after applying in vain to an Italian magician for a love-philtre,
at length determines to adopt the bolder line of writing to his scornful
lady. The letter is conveyed in a pomegranate, and the incident of its
presentation is prettily conceived and displays a certain amount of
dramatic power. The upshot is that Philautus eventually finds a maiden
who is unattached and who is ready to return love for love. Her he
marries, and remains behind with "his Violet" in England, while Euphues,
less happy than self-satisfied, returns to Athens. The interest of the
latter half of the book centres round the house of Lady Flavia, where
the principal characters of both sexes meet together and discuss the
philosophy of love and the psychology of ladies. Such intellectual
gatherings were a recognised institution at Florence at this time, being
an imitation of Plato's symposium, and Lyly had already attempted, not
so successfully as here, to describe one in the house of Lucilla of the
_Anatomy of Wit_.
[93] Mr Bond thinks it a picture of Lyly's father.
Public-domain text, read in full here on John Shaqi.
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