Joseph Pennell's Pictures of War Work in America: Reproductions of a series of lithographs of munition works made by him with the permission and authority of the United States government, with notes and an introduction by the artistPennell, Joseph
History
Joseph Pennell's Pictures of War Work in America: Reproductions of a series of lithographs of munition works made by him with the permission and authority of the United States government, with notes and an introduction by the artist
Pennell, Joseph
Lithography, American; Pennell, Joseph, 1857-1926; World War, 1914-1918 -- Pictorial works; World War, 1914-1918 -- War work -- United States -- Pictorial works
How the cranes minister to the ships, carrying them the things they
want, lowering them gently into the places where they belong and then
hovering over the vessels they are building to see that everything is in
its proper place--the cranes do it all--the men who run them are mere
details.
[Illustration]
XIV
IN THE DRY DOCK
These are the things that tower--that shine--whose power is
terrible--but their smile does not make glad.
The admiral said he could not see the ship like that--“Don’t you wish
you could?” was the only answer I could think of.
[Illustration]
XV
THE OLD AND THE NEW
Whether the old wooden ship is finer in line than the new steel monster
is more than I can decide, but I do know that both are well worth
drawing.
[Illustration]
XVI
SUBMARINES IN DRY DOCK
There they lay in long lines--soon to be ready to start on their
venturesome voyages.
[Illustration]
XVII
THE TRANSPORTS
The spoils of war, for what had been great traders were now to be great
troop ships--and with their transformation what an awful change has come
to our world.
[Illustration]
XVIII
READY FOR SERVICE AGAIN
Just as retired Officers have offered their services again to the
Country--so these old Ships, even more pictorial than the new, are being
found places where they can do their “bit.”
[Illustration]
XIX
THE BALLOON SHED
I only know of this one “balloon shed” in the country--probably in
design it is out of date--but pictorially it is fine.
[Illustration]
XX
THE LARKS
“Hark, Hark the Lark,” this one sings a song too, all his own, as he
soars up to greet the coming sun, then away to battle or to train for
it. Our Lark.
[Illustration]
XXI
MAKING RIFLES
Gallery after gallery is like this in the great building, all filled
with tiny men working at tiny machines making the tiny guns they fight
with; and over them hangs the flag of the country, put there, the
director told me--not by the management--but by the men.
[Illustration]
XXII
THE FORGES
How fine are the forges--but one man said as I drew the figure leaning
back to rest--“Hully gee! He’s got Creeper all right. Look at his
pants!” But the noise is awful--and one day as I sat on a bit of boiler
a roar ten times worse than ever before broke out beneath me and I
jumped right off, and from the boiler crawled a grimy human who, putting
his hand to his mouth, yelled “What yer making all that racket fur?”
[Illustration]
XXIII
CASTING SHELLS
Slowly the ladle moves, carried by the crane man, steered by the
workmen, goggled and gloved--I had no time to draw those details. Into
each mould it dropped just enough molten metal to make a shell head. And
when all the moulds were filled, a man from another shop dropped
in--“Say, what youse up to now?” “Me--I’m makin’ shells for the Kaiser.”
“What! an’ here?” “Sure”--and as a French Inspector passed--“Ain’t we
sending ’em to him as quick as we kin?”
[Illustration]
XXIV
Public-domain text, read in full here on John Shaqi.
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