Josiah Allen's Wife as a P. A. and P. I.: Samantha at the Centennial.: Designed As a Bright and Shining Light, to Pierce the Fogs of Error and Injustice That Surround Society and Josiah, and to Bring More Clearly to View the Path That Leads Straight on to Virtue and Happiness. — John Shaqi
Josiah Allen's Wife as a P. A. and P. I.: Samantha at the Centennial.: Designed As a Bright and Shining Light, to Pierce the Fogs of Error and Injustice That Surround Society and Josiah, and to Bring More Clearly to View the Path That Leads Straight on to Virtue and Happiness.Holley, Marietta
General
Josiah Allen's Wife as a P. A. and P. I.: Samantha at the Centennial.: Designed As a Bright and Shining Light, to Pierce the Fogs of Error and Injustice That Surround Society and Josiah, and to Bring More Clearly to View the Path That Leads Straight on to Virtue and Happiness.
Holley, Marietta
Centennial Exhibition (1876 : Philadelphia, Pa.) -- Fiction; Conduct of life -- Fiction; Debates and debating -- Fiction; Humorous stories; Husband and wife -- Fiction; Women's rights -- Fiction
Josiah is a great case to tell stories. He takes all the most high-toned
and popular almanacs of the day, and reads ’em clear through. He says he
“will read ’em, every one of ’em, from beginnin’ to Finy.” He is fond of
tellin’ me anecdotes. And is also fond of tragedies—he reads the _World_
stiddy. And I always make a practice of smilin’ or groanin’ at ’em as
the case may be. (I sot out in married life with a firm determination to
do my duty by this man.) But now, though I smiled a very little, there
was sunthin’ in the story, or the thoughts and forebodin’s the story
waked up in me, that made my heart sink from—I should judge from a
careless estimate—an inch, to an inch and three-quarters. I didn’t make
my feelin’s known, however; puttin’ my best foot forred has been my
practice for years, and my theme. And my pardner went on in a real chirk
tone:
“You see Samantha, jest how it is. You see there haint no kind o’ need
of your writin’ any preface.”
I was almost lost in sad and mournful thought, but I answered dreamily
that “I guessed I’d write one, as I had seemed to sort o’ lay out and
calculate to.”
Then my companion come out plain, and told me his mind, which if he had
done in the first place, would have saved breath and argument. Says he:
“I _hate_ prefaces. I hate ’em with almost a perfect hatred.” And says
he with a still more gloomy and morbid look,—“I have been hurt too much
by prefaces to take to ’em, and foller ’em up.”
“Hurt by ’em?” says I.
“Yes,” says he firmly. “That other preface of your’n hurt me as much as
7 cents in the eyes of the community. It was probable more’n that damage
to me. I wouldn’t”—says he, with as bitter a look onto him as I ever
see,—“have had it got out that I had the Night Mair, for a silver 3 cent
piece.”
“Why,” says I mildly, “it wasn’t nothin’ ag’inst your _character_,
Josiah.”
“Oh no!” says he in a sarcastic tone. “You would want it talked over in
prefaces and round, wouldn’t you, that you had the Night Mair, and
pranced round in your sleep?”
“I never mentioned the word prance,” says I mildly, but firmly,
“_never_.”
“Oh wall,” says he, “it is all the same thing.”
“No it haint,” says I firmly. “No it haint.”
“Wall,” says he, “you know jest how stories grow by tellin’. And by the
time it got to New York,—I dare persume to say before it got to that
village,—the story run that I pranced round, and was wild as a henhawk.
I have hated prefaces ever sense, and druther give _half a cent_ than to
have you write another one.”
“Don’t go beyond your means a tryin’ to bribe me,” says I, in a almost
dry tone. Josiah is honest as a pulpit, but close, nearly tight. After a
moment’s thought, I says,—“If you feel like that about it, Josiah, I
wont have no preface in this book.”
“Wall,” says he, “it would take a load offen my mind if you wouldn’t.”
And he added in cheerful and tender tones,—“Shan’t I start up the fire
for you, Samantha, and hang onto the tea-kettle?”
Public-domain text, read in full here on John Shaqi.
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