We had settled on our toes in another squatting-place--a dark
aisle with only scattered flecks of light. The silence and
breathlessness of the moon-craters could have been no more
complete than that which enveloped us. My eye wandered from spot
to spot, when suddenly I began to think of that great owl-like
goatsucker, the ‘poor-me-one.’ We had shot one at Kalacoon a month
before and no others had called since, and I had not thought of
the species again. Quite without reason I began to think of the
bird, of its wonderful markings, of the eyes which years ago in
Trinidad I had made to glow like iridescent globes in the light of
a flash--and then a poor-me-one called behind us, not fifty feet
away. Even this did not seem strange among these surroundings.
It was an interesting happening, one which I have experienced
many times in my life. It may have been just another coincidence.
I am quite certain it was not. In any event it was a Dantesque
touch, emphasized by the character of the call--the wail of a lost
soul being as good a simile as any other. It started as a high,
trembling wail, the final cry being lost in the depths of whispered
woe:--
Oo----ooh!
oh!
oh!
oh!
oh!
oh!
Nupee never moved; only his lips formed the name by which he knew
it--_kalawoe_. Whatever else characterized the sounds of the jungle
at night, none became monotonous or common. Five minutes later the
great bird called to us from far, far away, as if from another
round of purgatory--an eerie lure to enter still deeper into the
jungle depths. We never heard it again.
Nature seems to have apportioned the voices of many of her
creatures with sensitive regard for their environment. Sombre
voices seem fittingly to be associated with subdued light, and
joyous notes with the blaze of sunlit twigs and open meadows. A
bobolink’s bubbling carol is unthinkable in a jungle, and the
strain of a wood pewee on a sunny hillside would be like an organ
playing dance-music. This is even more pronounced in the tropics,
where, quite aside from any mental association on my part, the
voices and calls of the jungle reflect the qualities of that
twilight world. The poor-me-one proves too much. He is the very
essence of night, his wings edged with velvet silence, his plumage
the mingled concentration of moss and lichens and dead wood.
Public-domain text, read in full here on John Shaqi.
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