The mansion of Madame Flamingo differs only in sumptuousness of
furniture from twenty others of similar character, dotted here and
there about the little city. Add to these the innumerable smaller
haunts of vice that line the more obscure streets-that, rampart-like,
file along the hundred and one “back lanes” that surround the scattered
town, and, reader, you may form some estimation of the ratio of vice
and wretchedness in this population of thirty thousand, of which the
enslaved form one-third.
Having escorted you to the door, generous reader, we will forget the
common-place jargon of the world, and affect a little ceremony, for
Madame Flamingo is delicately exact in matters of etiquette. Touch
gently the bell; you will find it there, a small bronze knob, in the
fluting of the frame, and scarce perceptible to the uninitiated eye. If
rudely you touch it, no notice will be taken; the broad, high front of
her house will remain, like an ill-natured panorama of brick and
freestone, closed till daylight. She admits nothing but gentlemen; and
gentlemen know how to ring a bell. Well, you have touched it like one
of delicate nerves, and like a bell with manners polished by Madame
Flamingo herself, it answers as faintly as does the distant tinkle of
an Arab’s bell in the desert.
There! It was recognized as the ring of a genteel gentleman, and Madame
Flamingo’s heavy foot is heard advancing up the hall. Be a diplomatist
now. Show a white glove, and a delicate hand, and a winning smile, and
you have secured your passport to the satin and brocade of her mansion.
A spring is heard to tick, a whisper of caution to some one within
follows, and a block broad enough to admit your hat swings open,
disclosing the voluptuous splendor of a great hall, the blaze of which
flashes upon your senses, and fills you instinctively with curious
emotions. Simultaneously a broad, cheerful face, somewhat matronly in
its aspect, and enlivened with an urbane smile, darkens the space.
After a few moments’ pause we see two sharp gray eyes peering curiously
at us, and a soft but quick accenting voice inquires who we are. Ah!
yes, the white glove has told who we are, for the massive doors swing
open, and we find ourselves in a long, stately hall, resplendent of
Persian carpets, lounges in tapestry, walls and ceiling frescoed in
uncouth and bright-colored designs, and curiously wrought chandeliers,
shedding over all a bewitching light. The splendor is more gaudy than
regal; it strikes our fancy, but leaves our admiration unmoved. The
door is suddenly closed, and the short, portly figure of Madame (she
bows, saying her house is most select) stands before us, somewhat
nervous, as if she were yet undecided about our position in society.
She has seen some sixty summers, made her nefarious reputation in New
York; there she keeps a joint establishment, which, she adds, has been
kindly patronized by the members of several pumpkin-headed
corporations.
Public-domain text, read in full here on John Shaqi.
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