Indeed, her princely tabernacle there was owned by one of
these individuals, but in deference to his reputation she had the lease
of a third party. Of corporations in general has she the very highest
opinion.
Madame Flamingo’s round, dapper figure, is set off with a glossy, black
satin, made high at the neck, about which a plain white collar is
arranged, corresponding nicely with the dash of snowy lace down the
stomacher, and an embroidered buff apron, under which she every few
minutes thrusts her fat, jewelled fingers. Her face is pallid, her chin
fat and dimpled, her artificial hair light brown, and lain smoothly
over a low forehead, which is curiously contrasted with a
jauntily-setting cap, the long strings of which flutter down her
shoulders.
“If you please, gentlemen,” she says, “my house is highly
respectable—highly respectable (don’t make strange of me tending my own
door!) I assure you gentlemen.” And Madame Flamingo’s eyes quicken, and
she steps round us, now contemplating us suspiciously, then frisking
her hands beneath her embroidered apron, which she successively
flaunts.
We have assured her of our standing in society. To which, with an air
of resumed confidence, and a quickened step, she says she has (that is,
she thinks she has) seen us before, and is glad to see us again. She is
getting well down in the role of years, has a treacherous memory—the
result of arduous business, and a life of trouble—the poison of a war
upon society—the excitement of seeking revenge of the world. She cannot
at all times trust her memory, for it has given out in the watchfulness
necessary to the respectability of her house, which she regards as the
Gibraltar from which she turns upon society her unerring guns. “Lord,
gentlemen,” she says in quick accents, “the reputation of this house—I
watch it as our senator to Congress does his—is my bank stock; and on
the respectability and behavior of my customers, who are of the first
families, depends my dividends. Madame Flamingo wouldn’t—gentlemen, I
am no doubt known to you by reputation?—soil the reputation of her
house for uncounted gold.” This she whispers, tripping nervously over
the soft carpet up the hall, until she reaches mid-way, where on the
right and left are two massive arched doors of black walnut, with
stained glass for fan-lights. Our guardian (she has assumed the office)
makes a significant motion with her left hand, which she moves
backward, places her right upon the porcelain knob, turns to the right,
and puts her ear inquiringly to the door. “It’s a sort of commonwealth;
yes, sir, a commonwealth—but then they are all gentlemen—some very
distinguished,” she continues, shaking her head as if to caution us.
Voices in loud conversation are heard in the room to the right, while
from out the left float the mellow notes of a waltz, accompanied by the
light tripping of feet.
Public-domain text, read in full here on John Shaqi.
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