Kabuki : $b The popular stage of JapanKincaid, Zoë
History
Kabuki : $b The popular stage of Japan
Kincaid, Zoë
Japanese drama -- History and criticism; Kabuki; Theater -- Japan
In _Kochiyama_, a play by Mokuami, there is a long scene in which the
actors utter no words. At night, on the outskirts of Yedo, a samurai
lies in wait for a passing palanquin. As it comes into view his sudden
rush and gleaming sword frighten the bearers, who make off hastily,
leaving their passenger to shift for himself. From the palanquin there
is nothing but an awesome silence. The samurai expects to find some one
he wants, and cautiously lifting the curtain with his sword he scans
the occupant, asleep.
One look within and the would-be assassin sees that the crest on the
sleeve does not belong to the man he seeks, and as he withdraws, the
slumberer awakened sees the flash of the samurai’s sword and says: “Is
that a falling star?” He little dreams that his friend’s overcoat lent
to keep him warm has saved his life. One line only is spoken in this
wordless drama.
Defeated by a court of justice, a villain is sitting in a dejected
mood. A page brings him a cup of tea, and silently leaves a short sword
as a sign that the sooner he takes himself away from the world the
better for all concerned. The condemned person drinks his tea slowly,
then regards the sword, and understands the message conveyed to him. He
picks it up, and leaning upon it shows by the expression of his face
that he is making up his mind in a very different direction, and
intends to use it upon some one else.
Delicate and dainty, a charming heroine assists her warrior husband to
don his armour, for he must not lose a moment in preparing for battle.
She attempts to lift his helmet, but it is too heavy for her, and
placing it with difficulty on the long sleeve of her kimono, she drags
it across the stage. The audience is interested in how well and how
long the onnagata is able to give the impression of a frail young woman
struggling with the ponderous weight of a golden helmet.
Perhaps one of the best uses to which suggestion in acting is put is in
the play _Sendaihagi_, in which Masaoka, the faithful nurse, prepares
the food for the little prince in her charge, as his uncle wishes to
poison him that he may administer the wealthy fief for his own purpose.
Public-domain text, read in full here on John Shaqi.
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