Kakemono : $b Japanese sketchesEdwards, A. Herbage
Religion
Kakemono : $b Japanese sketches
Edwards, A. Herbage
Japan -- Description and travel; Japan -- Social life and customs
A dive through a wooden archway between two tea-houses, where a
ticket-hole and a wooden barrier composed the station, and we were
there. The trams stood under the archway; the lines were lost in the
black cindery mud--and they were both Japanese--the tram-lines, just
rows of knitting-needles and laid very close together, the trams
diminished by the national taste for the national needs to a little
oblong box like a stunted bathing-machine. Our tram stood from ground
to roof perhaps some five feet high. By taking off our hats we could
just manage to sit down, and by judiciously fitting our knees into
one another like elaborate dovetailing we got in width-ways, and we
only got in at all by entering the door sideways. Fat people do not
travel in Japanese trams--not unless they have a ladder and sit on
the roof. The only way to insinuate luggage is to coax it through the
window-frames, which, as there were only two to a side, were almost
once and a half times the width of the door, not more. In the Fuji
tramways pilgrims’ hats are not admitted. This is no prohibition. It
is an impossibility, for the diameter of the pilgrim hat, which is
twice as large as the largest halo, is equal in size to the width of
the entire tram. So the pilgrims hang their huge circles of straw hats,
like scooped-out orange halves, outside; and our tram before it started
became a new kind of armoured train.
In this dumpy bathing-box we had room for four a side. We took five and
thought it empty; smiled at six; submitted to seven; where an eighth
would have disposed himself I do not know, he would certainly have got
in, but the puzzle would have been to have found a vacant cubic foot
of space for his occupation. Trams are never full in Japan. There is
always room for more, if the more arrive. In this case the more got in
at a small junction outside the back lanes of Gotemba. They got in,
three of them, and with huge bundles too. Then the conductor looked
round inquiringly and smiled, whereupon two polite pilgrims of lighter
build than the newcomers gave up their seats and wedged themselves into
the window-frames, while the bundles were deposited on the continuous
strata of passenger. What happened to the third I do not know. He got
in.
Then we started, really started, for there was no other halting-place,
no village or station between here and Subashiri. Nothing but a broad,
bare sweep of upward-tending common, where multitudes of wild flowers
grew out of the cindery soil.
Public-domain text, read in full here on John Shaqi.
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