Kakemono : $b Japanese sketchesEdwards, A. Herbage
Religion
Kakemono : $b Japanese sketches
Edwards, A. Herbage
Japan -- Description and travel; Japan -- Social life and customs
As we went on, the faintly curving common, which always sloped round
and up, grew wilder and wilder. There were fewer flowers on the black
soil. Sometimes the cinders lay all bare in large dull patches against
the coarse grass. We were on the broad swelling slope of Fuji, on the
edge of the first ripple before it dies away into the smooth water
of the plain below. And we were crawling slowly from the first to
the second ripple as a fly crawls round the curve of an orange. Fuji
himself was invisible. For all we could see he did not exist. Spread
out before our eyes was only the endless swelling line of the green
common, always curving round and up. From time to time our driver blew
a melancholy thin note from a tiny copper horn shaped like a thickened
comma and ornamented with a worked band of brass, a pathetic far-off
note unknown to western scales.
Our tram-line was laid among the ample cinders of Fuji’s burnt-out
fires, and sometimes the curves were very sharp. Then the conductor,
balanced on the step and grasping the window-frame with both hands,
jerked the tram towards him to keep it on the lines; and we rounded the
curves in triumph. The compact mass of passenger which filled the tram
interior looked on unperturbed, while those in the window-frames kindly
adjusted their weight to assist the conductor. And the melancholy
thin note of the copper horn travelled over the long slope of the
upward-tending common as we crawled slowly on.
In the midst of a perfect stocking-heel of knitting-needles, which all
looked as though they were about to begin violently knitting at once,
the tram stopped, and the compact mass of passenger disintegrated
itself slowly. Having been the first to enter we were the last to
detach ourselves from the general lump, and when we did recover a
separate entity the knitting-needles lay gleaming in the cindery
mud--and there was nothing else. We stumbled on over them for some
time, until a ticket-hole in a sentry-box restored our belief that it
was a stopping-place and not an accident. So we stood still and shouted
for our tea-house boy by name. He came running, in long, tight-fitting,
blue trousers like thick cotton hose and a blue tunic; and he was a
girl, a pretty bright-coloured girl with daintily coiffured hair; and
we all set off for the tea-house.
Subashiri is another straggling ill-kept street, all tea-houses and
long cotton banners tied to bamboo poles, and our tea-house was the
last of them all. It lay on the very edge of Fuji, and when we left
it, after all our preparations had been completed, our lunch eaten,
our guide engaged, we stepped straight on to the endless curve of
upward-tending common.
Public-domain text, read in full here on John Shaqi.
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