Karl Grier : $b The strange story of a man with a sixth senseTracy, Louis
Science
Karl Grier : $b The strange story of a man with a sixth sense
Tracy, Louis
Psychic ability -- Fiction
So the music had bridged the void! He could hear as well as see across
the Atlantic! Again had that strange gift of language prepared the
way for the exercise of an unknown faculty. Rhythm, singing, those
inarticulate sounds which Noiré calls _clamor concomitans_, were the
first utterances of primitive man when working in concert. Every savage
race sings and dances, whether in peace or war. Uncivilized men work
best when they can sing. In olden days soldiers sang as they marched
against the enemy, and civilization has only substituted the bugles and
drums for the songs.
Beyond all question the unfettered exercise of Karl’s additional
sense, that marvelous adjunct whereby his visual and auricular nerves
annihilated distance, arose from the chance that an orchestra, mainly
consisting of stringed instruments, struck up a measured cadence at a
moment when Karl was actually straining his faculties to obtain some
more precise notion of all that was taking place.
And now Grier, who was somewhat in the position of an operator
controlling some rarely sensitive electrical apparatus, learnt that he
must focus the instrument with delicate precision if he were to avoid
confusion. So he bent his attention on the pair at the table, seated
himself metaphorically astride the iced cantaloup which decorated the
center of their board, and gathered in each word they uttered, with
the added zest of seeing the wary glances, the twitching nostrils, the
drawn lips.
Steindal had ordered a meal with the air of a connoisseur. That he had
not exercised much tact in conveying his wants to the head waiter has
been proved by the latter’s private opinion whispered in New York and
overheard in Oxford.
But Constantine merely toyed with the banquet, and his nervous state of
preoccupation only increased as the champagne rose to his head.
“I believe that girl will bring me bad luck,” was the first connected
phrase he uttered which Karl could associate with Maggie Hutchinson’s
personality, granted that she was the unseen attraction drawing him
across the Atlantic. How well he remembered the Armenian’s voice,
though a decade had passed since the last time he had heard it on board
the P. & O. steamship _Ganges_, in Tilbury Dock, when Constantine gave
him a gold watch and chain. The watch was ticking in his waistcoat
pocket at that very moment, but the chain, being of a size that
provoked caustic undergraduate humor, lay in a drawer.
“Bad luck! There’s no such thing, _amigo mio_! Bad management? Yes, it
abounds, but, where women are concerned, I flatter myself that I know
the sex. Fair, frail, and fickle, dark, deep, and _da capo_--that’s how
I classify ’em.”
This new voice was that of an unctuous devil. Grier, with his finely
tuned ear for vocal effects, fancied that a boa-constrictor might speak
with such a voice. It was the oil in the man-olive which gave his
speech its smoothness.
Steindal laughed softly at his own cheap wit, but Constantine was not
amused.
Public-domain text, read in full here on John Shaqi.
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