Authorship -- Fiction; College students -- Fiction; London (England) -- Fiction; Young women -- Fiction
Blair could contain himself no longer. With an inarticulate apology he
hurried out of the room, leaving the puzzled antiquarian and his wife
alone at the supper table.
X
The Rhodes Scholar was correct in having feared the Goblin as a
dangerous competitor in the quest of the Grail. King, as we have
intimated before, was a quaint-minded and ingenious person, modest in
stature but with a twinkling and roving eye. He was one of the leading
spirits of the OUDS, known in full as the Oxford University Dramatic
Society, and his ability to portray females of the lower classes had
been the delight of more than one Shakespearean rendering. No one who
saw him as Juliet's nurse in a certain private theatrical performance in
the hall of New College can recall the occasion without chuckles.
When the Goblin left the Blue Boar on Saturday afternoon he also made
his way out to Bancroft Road; but instead of patrolling the main street
in the vague hope of catching a glimpse of Kathleen (as did Falstaff,
Priapus, and the Iron Duke), he hunted out the hinder regions of the
district. In accordance with a plan he had concocted before leaving
Oxford, he carried a little portfolio of “art subjects,” of the kind
dear to domestic servants, and with this in hand he approached the door
of the basement back kitchen, where Ethel the cook and her assistant,
Mary, the housemaid, were having a mid-afternoon cup of tea. The
windings of the humbler lanes of service, behind the Bancroft Road
houses, were the proper causeway for tradesmen, and it was easy for him
to reach the back garden gate unseen by those in front.
He knocked respectfully at the kitchen door, and Mary came to answer.
“Good day, Miss,” said the supposed pedlar. “I 'ave some very pretty
pictures 'ere which I wish you would let me show you.”
Mary was a simple-minded creature, but she knew that her mistress had
strict rules about pedlars.
“I'm sorry,” she said, “but Missus don't let no pedlars in the house.”
“If you please, Miss,” said the artful Goblin, “I am no pedlar, but
representing a very respectable photographer, and I would like to show
you some photographs in the 'ope of getting your order. I 'ave taken
a number of orders at the nicest 'ouses along Bancroft Road. I thought
maybe you would like to 'ave a photo of yourself taken, to send to your
young man.” And he opened his case, exhibiting a sheaf of appropriate
photos.
It was a slender chance, but the pedlar had a wheedling eye and a
genteel demeanour, and Mary hesitated. She called the cook, a stout,
middle-aged person, who came to the door to see what was up. The pedlar
rapidly showed the best items of his collection, which he had selected
with great care in a photographer's studio in Oxford. Fate hung in the
scales, but the two servants could not resist temptation. They knew that
Mrs. Kent and Miss Kathleen were upstairs sewing; and the master was
confined to his study with his rheumatism. They invited the photographer
into the kitchen.
Public-domain text, read in full here on John Shaqi.
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