Man-woman relationships -- Fiction; Marriage -- Fiction; Russia -- Social life and customs -- 19th century -- Fiction
"Do not spoil the state of mind I see you are in; there is sounding, at
this moment, in the depths of your soul, a music which no harmony of
this earth can approach!"
I was grateful to him for this thought, yet, at the same time, it was a
little displeasing to me that he should thus understand, too easily, and
too clearly, what was to remain secret from all, in the kingdom of my
soul.
After dinner he said that he had come to bring me his congratulations
and to say farewell, as he was going to Moscow on the following day. He
was looking at Macha when he said this, but he gave me a quick
side-glance as if he was afraid of noticing some emotion upon my
countenance. But I showed neither surprise nor agitation, and did not
even ask if his absence would be long. I knew that he said so, but I
knew that he was not going. How? I cannot, now, explain it in the least;
but on this memorable day it appeared to me that I knew all that had
been, and all that would be. I was in a mood akin to one of those happy
dreams, where one has a kind of luminous vision of both the future and
the past.
He had intended going immediately after dinner, but Macha had left the
table, to take her siesta, and he was obliged to wait until she awoke in
order to take leave of her.
The sun was shining full into the drawing-room, and we went out upon the
terrace. We were scarcely seated, when I entered upon the conversation
which was to decide the fate of my love. I began to speak, neither
sooner nor later, but at the first moment that found us face to face
alone, when nothing else had been said, when nothing had stolen into the
tone and general character of the conversation which might hinder or
embarrass what I wished to say. I cannot myself comprehend whence came
the calmness, the resolution, the precision of my words. One would have
said that it was not I who was talking, and that something--I know not
what--independent of my own volition, was making me speak. He was
seated opposite to me, and, having drawn down to him a branch of lilac,
began to pluck off its leaves. When I opened my lips, he let go the
little branch, and covered his face with his hand. This might be the
attitude of a man who was perfectly calm, or that of a man yielding to
great agitation.
"Why are you going away?" I began, in a resolute tone; then stopped, and
looked him straight in the eyes.
He did not reply at once.
"Business!" he articulated, looking down on the ground.
I saw that it was difficult for him to dissemble in answering a question
I put so frankly.
"Listen," said I, "you know what this day is to me. In many ways it is a
great day. If I question you, it is not only to show my interest in you
(you know I am used to you, and fond of you), I question you because I
must know. Why are you going away?"
Public-domain text, read in full here on John Shaqi.
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