goodness when dining for the first time at your father's palace. Shy and sensitive and young, I felt that his grand guests wondered why I was invited to the same board as themselves. You, then courted, admired, you had sympathetic compassion on the raw, sullen boy; left those, who then seemed to me like the gods and goddesses of a heathen Pantheon, to come and sit beside your father's protege and cheeringly whisper to him such words as make a low-born ambitious lad go home light-hearted, saying to himself, "Some day or other." And what it is to an ambitious lad, fancying himself lifted by the gods and goddesses of a Pantheon, to go home light-hearted muttering to himself, "Some day or other," I doubt if even you can divine. But should you be as kind to the presumptuous man as you were to the bashful boy, and say, "Realized be the dream, fulfilled be the object of your life! take from me as her next of kin, the last descendant of your benefactor," then I venture to address to you this request. You are in the place of mother to your sister's child, act for her as a keeper now, to prepare her mind and heart for the coming change in the relations between her and me. When I last saw her, six months ago, she was still so playfully infantine that it half seems to me I should be sinning against the reverence due to a child, if I said too abruptly, "You are woman, and I love you not as child but as woman." And yet, time is not allowed to me for long, cautious, and gradual slide from the relationship of friend into that of lover. I now understand what the great master of my art once said to me, "A career is a destiny." By one of those merchant princes who now at Manchester, as they did once at Genoa or Venice, reign alike over those two civilizers of the world which to dull eyes seem antagonistic, Art and Commerce, an offer is made to me for a picture on a subject which strikes his fancy: an offer so magnificently liberal that his commerce must command my art; and the nature of the subject compels me to seek the banks of the Rhine as soon as may be. I must have all the hues of the foliage in the meridian glories of summer. I can but stay at Grasmere a very few days; but before I leave I must know this, am I going to work for Lily or am I not? On the answer to that question depends all. If not to work for her, there would be no glory in the summer, no triumph in art to me: I refuse the offer. If she says, "Yes; it is for me you work," then she becomes my destiny. She assures my career. Here I speak as an artist: nobody who is not an artist can guess how sovereign over even his moral being, at a certain critical epoch in his career of artist or his life of man, is the success or the failure of a single work. But I go on to speak as man. My love for Lily is such for the last six months that, though if she rejected me I should still serve art, still yearn for fame, it would be as an old man might do either. The youth of my life would be gone.