Feminist fiction, Australian; Sex role -- Fiction; Short stories, Australian; Women -- Fiction
"I wish I could catch and fasten the fleeting images that flit across
my memory; you would grasp my mental attitude better. In the midst
of all my pain,--I was sitting next him, and he was stroking my hand
mechanically,--I noticed a glass case on the wall containing an Italian
landscape, with ball-blue sky and pink lakes; pasteboard figures of
Dutch-peasant build, with Zouave jackets, Tyrolese hats, and bandaged
legs, figured in the foreground; you wound it up, and the figures
danced to a _varso-viana_. I was listening to him, and yet at the same
time I caught myself imagining how he and I would look dressed like
that, bobbing about to the old-fashioned tune. I could hardly keep from
shrieking with laughter. He had a turn-down collar on: he ought always
to wear unstarched linen,--it and his throat didn't fit. You cannot
understand me? Dearest woman, I do not pretend to understand the thing
myself.
"Did we not talk about anything? Of course we did,--Tolstoi and his
doctrine of celibacy; Ibsen's Hedda; Strindberg's view of the female
animal,--and agreed that Friedrich Nietszche appealed to us immensely.
You must make allowances. Here was a man passionately attached to his
art,--his art, that he had been treating churlishly for months for the
sake of a dream. The dream was out, and he feared her revenge. That is
the one potent element of consolation for me. If one has made an idiot
of one's self, it is at least self-consoling to have done so for a
genius. He chose the better part, if you come to think of it. The man
or woman who jeopardizes a great talent--be it of writing, painting,
or acting--for marriage sake is bartering a precious birthright for
a mess of pottage, mostly indifferent pottage. And even if it were
excellent, it is bound to pall when one has it every day. There never
was a marriage yet in which one was not a loser; and it is generally
the more gifted half who has to pay the heaviest toll.
"I believe he was intensely sorry for me. I asked him once, you know,
half playfully, half maliciously, if he had meant something, something
deliciously tender,--I quoted it out of one of his letters. He paled
to his lips, closed his eyes for a second, and I saw drops of sweat
break out on his forehead. I sprang up and turned aside his answer. I
remember when I was a little child I never would pick flowers; I always
fancied they felt it, and bled to death. I used to sneak behind, and
gather up all those my playmates threw down on the road or fields, and
put them, stalks down, into the water in the ditch or brook; even now I
can't wear them. I did not wish to hurt him either; he could not help
his passion-flower withering. I suppose it was written that my love
should turn, like fairy gold, into withered leaves in my grasp.
Public-domain text, read in full here on John Shaqi.
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