Feminist fiction, Australian; Sex role -- Fiction; Short stories, Australian; Women -- Fiction
She can see herself with parted lips and panting, rounded
breasts, and a dancing devil in each glowing eye, sway voluptuously to
the wild music that rises, now slow, now fast, now deliriously wild,
seductive, intoxicating, with a human note of passion in its strain.
She can feel the answering shiver of emotion that quivers up to her
from the dense audience, spellbound by the motion of her glancing feet;
and she flies swifter and swifter, and lighter and lighter, till the
very serpents seem alive with jewelled scintillations. One quivering,
gleaming, daring bound, and she stands with outstretched arms and
passion-filled eyes, poised on one slender foot, asking a supreme note
to finish her dream of motion; and the men rise to a man and answer
her, and cheer, cheer till the echoes shout from the surrounding hills
and tumble wildly down the crags.
The clouds have sailed away, leaving long feathery streaks in their
wake. Her eyes have an inseeing look, and she is tremulous with
excitement; she can hear yet that last grand shout, and the strain of
that old-time music that she has never heard in this life of hers, save
as an inner accompaniment to the memory of hidden things, born with
her, not of this time.
And her thoughts go to other women she has known, women good and bad,
school friends, casual acquaintances, women workers,--joyless machines
for grinding daily corn, unwilling maids grown old in the endeavor
to get settled, patient wives who bear little ones to indifferent
husbands until they wear out,--a long array. She busies herself with
questioning. Have they, too, this thirst for excitement, for change,
this restless craving for sun and love and motion? Stray words, half
confidences, glimpses through soul-chinks of suppressed fires, actual
outbreaks, domestic catastrophes,--how the ghosts dance in the cells
of her memory! And she laughs, laughs softly to herself, because the
denseness of man, his chivalrous, conservative devotion to the female
idea he has created, blinds him, perhaps happily, to the problems of
her complex nature. "Ay," she mutters musingly, "the wisest of them
can only say we are enigmas; each one of them sets about solving the
riddle of the _ewig weibliche_,--and well it is that the workings of
our hearts are closed to them, that we are cunning enough or _great_
enough to seem to be what they would have us, rather than be what we
are. But few of them have had the insight to find out the key to our
seeming contradictions,--the why a refined, physically fragile woman
will mate with a brute, a mere male animal with primitive passions,
and love him; the why strength and beauty appeal more often than the
more subtly fine qualities of mind or heart; the why women (and not the
innocent ones) will condone sins that men find hard to forgive in their
fellows. They have all overlooked the eternal wildness, the untamed
primitive savage temperament that lurks in the mildest, best woman.
Public-domain text, read in full here on John Shaqi.
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