Kimiko, and Other Japanese SketchesHearn, Lafcadio
General
Kimiko, and Other Japanese Sketches
Hearn, Lafcadio
Women -- Japan -- Fiction
Good they were, but not quite respectful in the reverential sense. They
knew better than to be that. They called her "Bikuni-San" always, and
saluted her nicely; but otherwise they treated her like one of
themselves. They played games with her; and she gave them tea in
extremely small cups, and made for them heaps of rice-cakes not much
bigger than peas, and wove upon her loom cloth of cotton and cloth of
silk for the robes of their dolls. So she became to them as a
blood-sister.
They played with her daily till they grew too big to play, and left the
court of the temple of Amida to begin the bitter work of life, and to
become the fathers and mothers of children whom they sent to play in
their stead. These learned to love the Bikuni-San like their parents
had done. And the Bikuni-San lived to play with the children of the
children of the children of those who remembered when her temple was
built.
The people took good heed that she should not know want. There was
always given to her more than she needed for herself. So she was able
to be nearly as kind to the children as she wished, and to feed
extravagantly certain small animals. Birds nested in her temple, and
ate from her hand, and learned not to perch upon the heads of the
Buddhas.
Some days after her funeral, a crowd of children visited my house. A
little girl of nine years spoke for them all:
"Sir, we are asking for the sake of the Bikuni-San who is dead. A very
large _haka_[9] has been set up for her. It is a nice haka. But we
want to give her also a very, very small haka, because in the time she
was with us she often said that she would like a very little haka. And
the stone-cutter has promised to cut it for us, and to make it very
pretty, if we can bring the money. Therefore perhaps you will honorably
give something."
[9] Tombstone.
"Assuredly," I said. "But now you will have nowhere to play."
She answered, smiling:
"We shall still play in the court of the temple of Amida. She is buried
there. She will hear our playing, and be glad."
HARU
Public-domain text, read in full here on John Shaqi.
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