Kimiko, and Other Japanese SketchesHearn, Lafcadio
General
Kimiko, and Other Japanese Sketches
Hearn, Lafcadio
Women -- Japan -- Fiction
Haru was brought up, chiefly at home, in that old-fashioned way which
produced one of the sweetest types of woman the world has ever seen.
This domestic education cultivated simplicity of heart, natural grace
of manner, obedience, and love of duty as they were never cultivated
but in Japan. Its moral product was something too gentle and beautiful
for any other than the old Japanese society: it was not the most
judicious preparation for the much harsher life of the new--in which it
still survives. The refined girl was trained for the condition of being
theoretically at the mercy of her husband. She was taught never to show
jealousy, or grief, or anger--even under circumstances compelling all
three; she was expected to conquer the faults of her lord by pure
sweetness. In short, she was required to be almost superhuman--to
realize, at least in outward seeming, the ideal of perfect
unselfishness. And this she could do with a husband of her own rank,
delicate in discernment--able to divine her feelings, and never to
wound them.
Haru came of a much better family than her husband; and she was a
little too good for him, because he could not really understand her.
They had been married very young, had been poor at first, and then had
gradually become well-off, because Haru's husband was a clever man of
business. Sometimes she thought he had loved her most when they were
less well-off; and a woman is seldom mistaken about such matters.
She still made all his clothes; and he commended her needle-work. She
waited upon his wants; aided him to dress and undress; made everything
comfortable for him in their pretty home, bade him a charming farewell
as he went to business in the morning, and welcomed him upon his
return; received his friends exquisitely; managed his household matters
with wonderful economy; and seldom asked any favors that cost money.
Indeed she scarcely needed such favors; for he was never ungenerous,
and liked to see her daintily dressed--looking like some beautiful
silver moth robed in the folding of its own wings--and to take her to
theatres and other places of amusement. She accompanied him to
pleasure-resorts famed for the blossoming of cherry-trees in spring, or
the shimmering of fireflies on summer nights, or the crimsoning of
maples in autumn. And sometimes they would pass a day together at
Maiko, by the sea, where the pines seem to sway like dancing girls; or
an afternoon at Kiyomidzu, in the old, old summer-house, where
everything is like a dream of five hundred years ago--and where there
is a great shadowing of high woods, and a song of water leaping cold
and clear from caverns, and always the plaint of flutes unseen, blown
softly in the antique way--a tone-caress of peace and sadness blending,
just as the gold light glooms into blue over a dying sun.
Public-domain text, read in full here on John Shaqi.
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