Kimiko, and Other Japanese SketchesHearn, Lafcadio
General
Kimiko, and Other Japanese Sketches
Hearn, Lafcadio
Women -- Japan -- Fiction
Once daily at a fixed hour, she would set for the absent husband, in
his favorite room, little repasts faultlessly served on dainty
lacquered trays--miniature meals such as are offered to the ghosts of
the ancestors, and to the gods.[3] These repasts were served at the
east side of the room, and his kneeling-cushion placed before them. The
reason they were served at the east side was because he had gone east.
Before removing the food, she always lifted the cover of the little
soup-bowl to see if there was vapor upon its lacquered inside surface.
For it is said that if there be vapor on the inside of the lid covering
food so offered, the absent beloved is well. But if there be none, he
is dead--because that is a sign that his soul has returned by itself to
seek nourishment. O-Toyo found the lacquer thickly beaded with vapor
day by day.
[3] Such a repast, offered to the spirit of the absent one
loved, is called a _Kagé-zen_; lit., "Shadow-tray." The
word _zen_ is also used to signify the meal served on
the lacquered tray--which has feet, like a miniature table.
So that the term "Shadow-feast" would be a better translation
of _Kagé-zen_.
The child was her constant delight. He was three years old, and fond of
asking questions to which none but the gods knew the real answers. When
he wanted to play, she laid aside her work to play with him. When he
wanted to rest, she told him wonderful stories, or gave pretty pious
answers to his questions about those things which no man can ever
understand. At evening, when the little lamps had been lighted before
the holy tablets and the images, she taught his lips to shape the words
of filial prayer. When he had been laid to sleep, she brought her work
near him, and watched the still sweetness of his face. Sometimes he
would smile in his dreams; and she knew that Kwannon the divine was
playing shadowy play with him, and she would murmur the Buddhist
invocation to that Maid "who looketh forever down above the sound of
prayer."
Sometimes, in the season of very clear days, she would climb the
mountain of Dakeyama, carrying her little boy on her back. Such a trip
delighted him much, not only because of what his mother taught him to
see, but also of what she taught him to hear. The sloping way was
through groves and woods, and over grassed slopes, and around queer
rocks; and there were flowers with stories in their hearts, and trees
holding tree-spirits. Pigeons cried _korup-korup_; and doves sobbed
_owao_, _owao_; and cicadæ wheezed and fluted and tinkled.
Public-domain text, read in full here on John Shaqi.
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