King Horn, Floriz and Blauncheflur, The Assumption of Our Lady
General
King Horn, Floriz and Blauncheflur, The Assumption of Our Lady
English poetry -- Middle English, 1100-1500; Mary, Blessed Virgin, Saint -- Legends; Romances, English
The story of Horn is known in several different versions. Of these the
one printed in the present volume is the oldest and in many respects the
most archaic. The story, which it will be unnecessary to summarize here,
is told in a simple, direct style with a noticeable lack of unnecessary
description inserted for embellishment. The explanation of the peculiar
features of this version is no doubt to be found in the purpose for
which this version was used. It was probably intended to be sung, as one
would infer from the opening lines, and perhaps is such a song, or
ballad, as the one which, as the French version informs us (R. H. 2776
ff. cf. p. xiv. below), Horn sang about his love Rigmenil. The manner of
the narrative is determined by the song character of the poem. There is
more detail than in a modern song, at the same time less detail than in
a modern story. Events are sometimes simply referred to as though
already known instead of being fully described. The bravery of Murry,
Horn’s father, is alluded to in such a manner as to lead one to expect
to hear more about his feats of prowess. No motive is given for the
journey to Ireland. We are conducted from place to place with Horn, from
Aylmer’s court in Westernesse to that of Thurston, or from Horn’s
wedding feast at Aylmer’s court to the annihilation of the Saracen
invaders of Suddenne, almost in a breath. In this way sometimes
incidents are thrown absurdly out of perspective. For instance, when
Horn wishes to ‘prove his knighthood’ (v. 588), while the others are at
table, he sets out on his ‘fole,’ and at the seashore finds a shipload
of _heþene honde_. He slays about a hundred of them. _At eureche dunte
þe heued of wente._ He fixes the leader’s head on the point of his sword
and thus returns to the hall. All this, which forms the matter for about
four hundred twelve-syllabled lines in the more prolix French version,
is here related in an off-hand manner, in about forty short lines. The
pitched battle of the French version becomes here a mere after-dinner
recreation. It would be possible to multiply instances (cf. pp. x-xii)
showing the abridged character of the present version.
Public-domain text, read in full here on John Shaqi.
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