The earlier works of the King are sufficiently remarkable as exhibiting his serenity in adversity and his uprightness as a legislator; his later poems are notable in revealing his chivalry as a knight-adventurer, and his tenderness as a dainty troubadour. René, whether as Sovereign, knight, or lover, led the taste of his age. His personality attracted everybody, and his character elevated all in fruitful emulation. His utterances and his writings, in spite of the freedom of manners and the piquancy of speech, were conspicuous for chastity of thought and delicacy of expression. Not a single dubious word or doubtful reference disfigures his pages: a man and King was he without reproach. The works which René composed as well as decorated place him in the forefront of poets. The principal are as follows: 1. _Regnault et Jehanneton_, or _Les Amours du Bergier et de la Bergeronne_. It is an idyllic pastoral. The manuscript occupies seventy sheets of fine vellum, written in black and crimson, very carefully and finely. The miniatures and capitals are very numerous, and display the greatest skill and taste in design and finish. This manuscript was written at Tarascon, after René and Jehanne’s romantic sojourn at his _bastide_ on the Durance. 2. _Mortifiement de Vaine Plaisance_, or _Tracte entre l’Ame devote et le Cœur_. In manuscript, written very carefully in black and scarlet, with many exquisitely-painted miniatures and capital letters. This “Morality” covers fifty-five sheets of the finest vellum. The Royal writer was assisted by Jehan Coppre, a priest of Varronsgues. The frontispiece by René represents the King, fully robed, seated in his studio labouring with his pen and brush (see illustration). 3. _La Conquête de la Doulce Mercy_, or _La Conquête par le Cuer d’Amour Espris_. This is a manuscript with 138 sheets of very smooth vellum written in red, black, and purple, with sixty-two miniatures and many capitals superbly painted. It is bound in red morocco, and is in the National Library in Paris. It bears the date 1457. René both wrote and illuminated it shortly before the death of Queen Isabelle. 4. _L’Abuzé en Court._ A manuscript covering fifty-seven sheets of very fine vellum. Where and how King René got his “skins” we do not know, but they are the finest and most perfect of any French or Italian manuscripts of the period. The colour and grain of the skin are very fine; only an artist-writer could have chosen such splendid folios. This manuscript is bound in walnut-wood boards covered with crimson velvet and embroidered. It contains fifty lovely miniatures and has rich capitals. René has in this case recorded the exact date of completion--July 12, 1473.