2. _Souls in Purgatory_, an altar-piece (7 × 5½), originally in hospital chapel at the Chartreuse of Villeneuve les Avignon. It is really a “Judgment,” with Christ and saints above the clouds, and twenty-four little figures in and out torment. The building was destroyed in 1793. 3. _La Divina Commedia_, an altar-piece (8 × 6), in the church of the Célestins at Avignon in distemper. It was due to René’s vision of his mistress, Dame Chapelle, upon the day of her death, which shocked him so greatly that he painted this composition to remove the painful impression he thus experienced. 4. _Saint Madeleine preaching_, now in the Hôtel Cluny. It was a whimsical conceit connecting the story of the sisters of Lazarus with René and his Queen Jehanne. It is conventional in treatment but finished most beautifully (see illustration). King René’s artistic speciality was miniatures. He illuminated many manuscripts. 1. _Preces Præ_. The Latin “Hours” of King René, a manuscript of 150 sheets of fine vellum, written very beautifully in small lettering, with superb capitals in gold and colours. The borders and miniatures are exquisitely painted. It is bound in red morocco. This precious volume was dedicated to Queen Isabelle, whose portrait is painted as a frontispiece (see illustration). It was one of the King’s wedding presents to his second Queen, Jehanne de Laval. The value of the _Preces Præ_ is enhanced by numerous marginal notes of dates and details written by René’s hand. At the end by way of _Finis_ is a clock-face, upon which is painted “R et J,” under the words “En Un,” all in a circle of gold. This treasure is now in the National Library in Paris, and there is a copy almost exactly in duplicate in the Imperial Library in Vienna. The date is 1454. 2. _Pas d’Armes de la Bergère._ A poem of Louis de Beauvau, Seigneur de la Roche et Champigny, Grand Seneschal of Angers, Ambassador to Pope Pius II., and a famous Champion in the “Lists.” It is a pastoral allegory, and extols the courage and chivalry of many famous knights--Ferri de Vaudémont, Philippe Lenoncourt, Tanneguy de Chastel, Jean de Cossa, Guy de Laval, and others. It was put forth in 1448 after the celebrated tournaments in Anjou, Lorraine, and Provence. King René illuminated it with portraits and miniature paintings at Tarascon, where he and Jehanne de Laval spent so many happy days ruralizing in 1457. At Aix, in the Library, is a manuscript _Livres des Heures_, dated 1458; at Avignon, in the Church of the Cordeliers, is another of the following year; at Poitiers, in the Library, is a “Psalter”; in the Musée de l’Arsenal of Paris, a Breviary (see illustration)--all exquisitely written and illuminated by the master-hand of the King. II. LITERARY WORKS OF KING RENÉ.