Mrs. Saunderson is said to have been the first regularly-engaged
actress who opened her lips on the English stage. Had she and her
compeers only half the charms which report ascribed to them, they
must have afforded far more pleasure to audience and spectators than
the “beautiful woman-actor,” Stephen Hamerton Hart, with his womanly
dignity; Burt, with his odious female sprightliness; or Goffe, who was
as hearty and bustling as old Mrs. Davenport. King Charles himself and
his cavaliers, too, must have been especially delighted when they were
no longer kept waiting for the commencement of a play, on the ground
that the _Queen_ was not yet shaved.
It is curious that there were some people not near so strait-laced
as Prynne, who considered that public virtue would suffer shipwreck
if actresses were permitted to establish themselves in the general
favor. The opposite party, of course, went to an opposite extreme;
and in 1672, not only were “Philaster,” and Killigrew’s “Parson’s
Wedding,” played _entirely_ by women, but one of the “Miss” Marshalls,
gay daughter of a Presbyterian minister, on both occasions spoke
the prologue and epilogue in male attire. “Philaster” is simply an
absurd piece, which was rendered popular by Hart and Nell Gwyn;
but with respect to Killigrew’s piece, it is so disgusting, from
the commencement to the finale, that I can hardly fancy how any
individuals, barely alive to their humanity, could be brought to utter
and enact the turpitudes which Killigrew set down for them, or that an
audience could be kept from fleeing from the house before the first act
was over.
But the gallants could endure anything rather than a return to such
effects as are alluded to by a contemporary writer, who, by way of
introducing a female Desdemona, said in his prologue--
“Our women are defective and so sized
You’d think they were some of the guard disguised;
For, to speak truth, men act that are between
Forty and fifty, wenches of fifteen;
With brow so large, and nerve so uncompliant,
When you call _Desdemona_--enter _Giant_.”
Public-domain text, read in full here on John Shaqi.
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