Visitors to Chung-deung-sa were frequent during my stay, some attracted
by the reported presence of a foreigner, others by their very genuine
wish to sacrifice to the All-Blessed-One. Two Korean ladies of position
arrived in the course of one morning to plead for the intercession of
Buddha in their burden of domestic misery and unhappiness. Presenting the
Korean equivalent for ten shillings to the funds of the monastery, they
arranged with the Abbot for the celebration of a nocturnal mass in the
Temple of the Great Heroes. During the afternoon the priests prepared
the temple in which the celebration was to be held; elaborate screens of
Korean pictorial design were carried into the temple from the cell of
the Chief Abbot; large quantities of the finest rice were boiled. High,
conical piles of sweetmeats and sacrificial cakes were placed in large
copper dishes before the main altar, where the three figures of Buddha
sat in their usual attitude of divine meditation. In front of each figure
stood a carved, gilded tablet, twelve inches high, exactly opposite to
which the food was placed, with bowls of burning incense at intervals
between the dishes. Lighted candles, in long sticks, were placed at
either end of the altar; above it, in the centre, serving as a lamp and
hanging from a long gilded chain, was suspended a bowl of white jade, in
which lay the smoking end of a lighted wick. Numerous side altars were
similarly decorated. The furniture of the temple comprised a big drum,
a heavy, cracked bell, cast in the thirteenth century, and a pair of
cymbals. There were five monks; the two women sat, mute, upon the left
of the Abbot. The four priests arranged themselves upon the right—one to
the bell, one to the drum, and two to the pair of cymbals, in the playing
of which they took turns. Upon each side of the temple, recessed right
and left of the main altar, were mural representations of the Ten Judges.
Save for the altar illuminations, the effect of which was to render the
interior even gloomier and more eerie than usual, the building was in
darkness.
Public-domain text, read in full here on John Shaqi.
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