Korean Buddhism: History—Condition—Art — John Shaqi
Korean Buddhism: History—Condition—ArtStarr, Frederick
Religion
Korean Buddhism: History—Condition—Art
Starr, Frederick
Art -- Korea; Buddhism -- Korea; Buddhist art
About this time it is said that an ambassador from China came to the
king of Silla at his capital city of Kyong Ju. The messenger brought
various gifts, among them a substance which no one knew; it had never
been seen before in Silla. It seems strange that the ambassador should
not have known what he brought, but it is asserted that he was ignorant
in the matter, and so the king sent to the cave—only ten miles away—and
ordered the black monk to come to Kyong Ju to identify the gift. He had
no trouble in recognizing it, because it was incense, common enough in
Chinese Buddhism, but before unseen in Silla. He told them that when
burned before an idol with prayers of faith, the god was sure to answer
petitions. It happened at the moment that the king’s daughter was ill,
and he begged the black monk to try the efficacy of incense and prayer.
Seven days he spent in prayer before the idol and a cure was wrought.
Soon afterwards Mukocha begged the king to send to China and the West
for artists to come and cut figures in the rock walls of his cave, as he
desired to make a chapel to the gods. The request was sent, the artists
came, and it is said that they spent forty years in carving the
wonderful figures which to this day adorn the walls of the little
circular chapel in the mountain cave. It would require a separate
lecture for me to tell you of my visit to that remarkable shrine, with
its genuine treasures of art. (Plates VIII, IX.)
[Illustration: PLATE V
Main Temple: Kumsan-sa
[Page 72]]
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