Kultur in Cartoons: With accompanying notes by well-known English writersRaemaekers, Louis
History
Kultur in Cartoons: With accompanying notes by well-known English writers
Raemaekers, Louis
World War, 1914-1918 -- Caricatures and cartoons
The first seven divisions cut into this comfortable belief in a cruel
manner. The handful of English who drove the Hun hordes back from Calais
did not put balm on the wound. Slowly and by degrees the Kaiser has seen
his last hopes broken by the English.
“THOSE HORRIBLE BRITONS.”
Raemaekers, as always, has touched the truth.
H. DE VERE STACPOOLE.
[Illustration]
_Dr. Kuyper to Germany_
Of benevolent neutrality we have all heard; and of the existence of the
malevolent kind, too, we are quite frequently reminded. The Allied
countries failed to perceive the benevolence of the Vatican’s utterance
that the violation of Belgium “happened in the time of my predecessor,”
and so apparently called for no comment from the head of the Roman
Catholic Church. Since that interview the inaction of the Vatican, which
had till then been almost complete, and has since been troubled by one
or two tentative mentions of olive branches and no more, has appeared in
more than a dubious light to the Allied nations. In France, where the
opening of the war brought about something like a religious revival, the
Pope’s inaction and the Pope’s speech caused a cold Gulf Stream of
suspicion and disappointment to flow steadily Romeward. The spectacle of
a Protestant premier of a two thirds Protestant country favoring a
mission to the Vatican is one which would in any case have troubled
Protestants, and in this case does not even please Roman Catholics. Then
who does it please? Raemaekers knows.
Alas for the days when we associated screens with “little French
milliners”; what a Lady Teazle have we here! And what a school of
something worse than scandal holds its classes in the seminaries of
war-politics! Dr. Kuyper, “the snowy-breasted pearl” of the drawing, is,
perhaps, guilty of hoping a thing he does not avow; of working for it;
but at least even Raemaekers, a stern critic, admits that without being
a villain (we know the mark Raemaekers sets on the brow of his villains)
he may be still quite pleased with himself. But the two behind the
screen are furtive, are anxious, are unable to enjoy even an act that
should further their plans; they are pleased, but their pleasure is
sicklied o’er with the pale cast of a thought which turns ever more
eagerly to the future, and turns back ever more anxiously to the
present.
H. PEARL ADAM.
[Illustration]
_The Kaiser’s Diplomacy_
Public-domain text, read in full here on John Shaqi.
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