Kultur in Cartoons: With accompanying notes by well-known English writersRaemaekers, Louis
History
Kultur in Cartoons: With accompanying notes by well-known English writers
Raemaekers, Louis
World War, 1914-1918 -- Caricatures and cartoons
The true story of what happened in Montenegro, when the Austrians
reported that the country had submitted to superior force and accepted
the domination of the Central Powers, and that it was abandoning the
hopeless task of resisting their united strength, will perhaps be
revealed in the future. At present it is unknown. Probably it will turn
out to have been a great personal disappointment to the Kaiser and
another instance where his diplomacy failed. It would have been a
triumph to induce Montenegro to submit peaceably, and to have King
Nicholas accept the position of a client king at Berlin. But the
resistance of Montenegro was not wholly overcome. The king and the
people who had fought for freedom with success against all the forces of
Turkey and afterward of Austria during so many years could not submit to
being deluded by the blandishments of Hadji Wilhelm.
Here the artist shows Nicholas with his bag packed for the journey to
France, and labelled “Lyon,” turning away from the Kaiser, who looks
toward him with seductive entreaty, and presses his hands in a gesture
of petition. He is making a last attempt to induce the king to submit to
fate and to himself; to come to Berlin, and to be received with royal
honors and enrolled alongside the many princely families of Germany.
The Kaiser set great store by success in this negotiation. It would have
been the beginning, as he hoped, of the breaking up of the alliance
among his foes. Even though it was only the small and poor Montenegro
that abandoned the Allied cause, still it was to be the first stage of a
general break-up, which would have been hailed with triumph as the
beginning of the end. The Kaiser wanted Nicholas badly, but Nicholas was
not going alone to Berlin, and his last word is that “we will all come
later.” Raemaekers, with his unfailing confidence in a final victory,
looked forward then, when the cause of the Allies seemed to be at its
lowest ebb, to the victory of the future, and to the victorious entrance
of the united Allies into Berlin. The artist judged by faith, and not by
sight. He was not a mere calculator of chances, and an estimator of
military power; for those neutrals who judged on such principles were
apparently all so profoundly impressed with the overwhelming military
strength of Germany, that their moral judgment was warped. Raemaekers
had lived too close to Germany to be ignorant of her enormous strength;
but he judges as a prophet, who bears witness to the moral quality of
the world, despite of the apparent balance of probabilities.
WILLIAM MITCHELL RAMSAY.
[Illustration]
_Cain_
Public-domain text, read in full here on John Shaqi.
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