Kultur in Cartoons: With accompanying notes by well-known English writersRaemaekers, Louis
History
Kultur in Cartoons: With accompanying notes by well-known English writers
Raemaekers, Louis
World War, 1914-1918 -- Caricatures and cartoons
In these later days, when the whole world can see that Germany is
fighting a losing fight, one might admire the grim way in which the
victors are made to pay for every step of the path they have yet to
tread; if their hands were clean one might call magnificent the dogged
courage of the fighting men who resist our own. But the list of
slaughtered women and children is too long, the violation of the laws of
humanity is too complete. This grinning barbarian with his bouquet is
the German that the world will remember, not those exceptions to his
kind who, by humanity in the presence of wounded enemies, have made
themselves noteworthy--merely by their rarity.
In the last phase of the war, that in which approaching defeat is
plainly evident, the German fights well--and so does a rat when it is
cornered. Raemaekers’ symbol of the bouquet is not less to be kept in
mind, nor would there be any hope of justice in the settlement if the
victors, in generosity to a beaten foe, should forget it.
E. CHARLES VIVIAN.
[Illustration]
_The Stranded Submarine_
The circumstances of the incident depicted in this cartoon are well
known. A British submarine was stranded, helpless, on the Danish coast.
Its men were lined up--as men once lined up on the _Birkenhead_--and
stood at attention while German guns poured shell on them and their
craft. Further, this happened in Danish territorial waters, where, by
all the laws of humanity, and by the law of nations as well, the crew of
the submarine were entitled to consider themselves immune. Had there
been any respect for international law on the part of their aggressors,
they would have been immune.
Now, if one observes the faces of the two German naval officers in the
cartoon, it is easy to understand why such outrages as this have come
about. Raemaekers knows his German, and, whether he is portraying
officer or man, emperor or soldier, he takes care in each case to bring
out the fact that the man represented belongs to a nation that has
either lost, or has not yet found, a soul. These two who stand above the
guns are two of the world’s materialists, men who understand only that
the end must be accomplished, no matter what the means may be.
From their soulless philosophy has arisen not only incidents like these,
but the manufacture of a German God, such as the speeches of the Kaiser
describe. There has arisen, too, the denial of Western Christianity
altogether in a certain patronage of Islam, designed to placate Turkish
opinion, a patronage that is inconsistent even with the worship of the
German God. It is all means to the one end, world domination. Germany
has set out to gain the whole world, and has lost what soul she had.
Striving to set herself above the law, she has merely placed herself
outside the law, and for this her punishment is at hand.
E. CHARLES VIVIAN.
[Illustration]
_Herod’s Nightmare_
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account