Kultur in Cartoons: With accompanying notes by well-known English writersRaemaekers, Louis
History
Kultur in Cartoons: With accompanying notes by well-known English writers
Raemaekers, Louis
World War, 1914-1918 -- Caricatures and cartoons
Certain publications in neutral countries, notably in America, have
given room in their pages during the course of the war to little
sketches--obviously part of the German system of propaganda--designed to
show that the Allied estimate of German barbarities is at the very least
a huge exaggeration, and is possibly altogether fabricated. The term
“undue sentimentality” is frequently used; travelers in the occupied
territories are represented as seeing the inhabitants quite contented
under German rule and surprised at the mention of atrocities. Their
conquerors are quite good people, necessarily subjecting them to strict
discipline, but in no way unjust. There _may_ have been atrocities
somewhere, at some time, but these travellers cannot get any reliable
accounts of them.
Many of the papers that publish this sort of thing are probably quite
ignorant of its source; others, of course, do so with full knowledge of
the merits of the case and of the reason for its publication. Evidence
collected on oath from sufferers is ignored, and so cleverly are these
little sketches done that one is inclined to believe the German is not
so black as he has been painted.
But not one of these sketches ever ventures near the subject of the
_Lusitania_, the _Arabic_, the Scarborough bombardment, or Louvain--or
any other of those horrors that are established beyond question in the
minds of men. And wherever these German efforts at lulling the world’s
conscience by sophistries appear, there should this cartoon appear also,
as a corrective. Throughout half the world these murdered children lie
under earth and water, and to forget them in the day when Germany fears
to add more to their number would be to share this modern Herod’s
infamy.
E. CHARLES VIVIAN.
[Illustration]
_“My Beloved People”_
The old emperor of Austria was said to have very vague ideas about the
present war. According to one fairly well authenticated story, he
sometimes fancied himself in 1866, and hoped that his troops were
killing a great many of those infernal Prussians. But Ferdinand of
Bulgaria is no imbecile. He is not a very able man, though certain
journalists have extolled his talents; he is merely cunning and
ambitious. His subjects do not love him. He is very extravagant, and
preferred, even before the war, to spend some eight months of the year
in other countries, where the opportunities for amusement are greater
than at Sofia. He is also a great stickler for etiquette, which his
subjects despise, and his court is a queer mixture of complicated
ceremony and bohemian license.
Public-domain text, read in full here on John Shaqi.
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