Domestic fiction; Married women -- Fiction; Paris (France) -- Fiction; Working class women -- Fiction
What a happy time! The laundress took particular pains with the washing
of her customer in the Rue des Portes-Blanches; she always took it home
herself because that errand, every Friday, was a ready excuse for
passing through the Rue Marcadet and looking in at the forge. The
moment she turned the corner of the street she felt light and gay, as
though in the midst of those plots of waste land surrounded by grey
factories, she were out in the country; the roadway black with
coal-dust, the plumage of steam over the roofs, amused her as much as a
moss-covered path leading through masses of green foliage in a wood in
the environs; and she loved the dull horizon, streaked by the tall
factory-chimneys, the Montmartre heights, which hid the heavens from
view, the chalky white houses pierced with the uniform openings of
their windows. She would slacken her steps as she drew near, jumping
over the pools of water, and finding a pleasure in traversing the
deserted ins and outs of the yard full of old building materials. Right
at the further end the forge shone with a brilliant light, even at
mid-day. Her heart leapt with the dance of the hammers. When she
entered, her face turned quite red, the little fair hairs at the nape
of her neck flew about like those of a woman arriving at some lovers’
meeting. Goujet was expecting her, his arms and chest bare, whilst he
hammered harder on the anvil on those days so as to make himself heard
at a distance. He divined her presence, and greeted her with a good
silent laugh in his yellow beard. But she would not let him leave off
his work; she begged him to take up his hammer again, because she loved
him the more when he wielded it with his big arms swollen with muscles.
She would go and give Etienne a gentle tap on the cheek, as he hung on
to the bellows, and then remain for an hour watching the rivets.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account