Domestic fiction; Married women -- Fiction; Paris (France) -- Fiction; Working class women -- Fiction
He had gone down a long corridor on the left. He turned twice, the
first time also to the left, the second time to the right. The corridor
still continued branching off, narrowing between walls full of
crevices, with plaster peeling off, and lighted at distant intervals by
a slender gas-jet; and the doors all alike, succeeded each other the
same as the doors of a prison or a convent, and nearly all open,
continued to display homes of misery and work, which the hot June
evening filled with a reddish mist. At length they reached a small
passage in complete darkness.
“We’re here,” resumed the zinc-worker. “Be careful, keep to the wall;
there are three steps.”
And Gervaise carefully took another ten steps in the obscurity. She
stumbled and then counted the three steps. But at the end of the
passage Coupeau had opened a door, without knocking. A brilliant light
spread over the tiled floor. They entered.
It was a narrow apartment, and seemed as if it were the continuation of
the corridor. A faded woolen curtain, raised up just then by a string,
divided the place in two. The first part contained a bedstead pushed
beneath an angle of the attic ceiling, a cast-iron stove still warm
from the cooking of the dinner, two chairs, a table and a wardrobe, the
cornice of which had had to be sawn off to make it fit in between the
door and the bedstead. The second part was fitted up as a work-shop; at
the end, a narrow forge with its bellows; to the right, a vise fixed to
the wall beneath some shelves on which pieces of old iron lay
scattered; to the left near the window, a small workman’s bench,
encumbered with greasy and very dirty pliers, shears and microscopical
saws, all very dirty and grimy.
“It’s us!” cried Coupeau advancing as far as the woolen curtain.
But no one answered at first. Gervaise, deeply affected, moved
especially by the thought that she was about to enter a place full of
gold, stood behind the zinc-worker, stammering and venturing upon nods
of her head by way of bowing. The brilliant light, a lamp burning on
the bench, a brazier full of coals flaring in the forge, increased her
confusion still more. She ended however, by distinguishing Madame
Lorilleux—little, red-haired and tolerably strong, pulling with all the
strength of her short arms, and with the assistance of a big pair of
pincers, a thread of black metal which she passed through the holes of
a draw-plate fixed to the vise. Seated in front of the bench,
Lorilleux, quite as small of stature, but more slender in the
shoulders, worked with the tips of his pliers, with the vivacity of a
monkey, at a labor so minute, that it was impossible to follow it
between his scraggy fingers. It was the husband who first raised his
head—a head with scanty locks, the face of the yellow tinge of old wax,
long, and with an ailing expression.
“Ah! it’s you; well, well!” murmured he. “We’re in a hurry you know.
Don’t come into the work-room, you’d be in our way. Stay in the
bedroom.”
Public-domain text, read in full here on John Shaqi.
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