Domestic fiction; Married women -- Fiction; Paris (France) -- Fiction; Working class women -- Fiction
And he resumed his minute task, his face again in the reflection of a
glass globe full of green-colored water, through which the lamp shed a
circle of bright light over his work.
“Take the chairs!” called out Madame Lorilleux in her turn. “It’s that
lady, isn’t it? Very well, very well!”
She had rolled the wire and she carried it to the forge, and then,
reviving the fire of the brazier with a large wooden fan, she proceeded
to temper the wire before passing it through the last holes of the
draw-plate.
Coupeau moved the chairs forward and seated Gervaise by the curtain.
The room was so narrow that he could not sit beside her, so he sat
behind her, leaning over her shoulder to explain the work in progress.
Gervaise was intimidated by this strange reception and felt uneasy. She
had a buzzing in her ears and couldn’t hear clearly. She thought the
wife looked older than her thirty years and not very neat with her hair
in a pigtail dangling down the back of her loosely worn wrapper. The
husband, who was only a year older, appeared already an old man with
mean, thin lips, as he sat there working in his shirt sleeves with his
bare feet thrust into down at the heel slippers. Gervaise was dismayed
by the smallness of the shop, the grimy walls, the rustiness of the
tools, and the black soot spread all over what looked like the odds and
ends of a scrap-iron peddler’s wares.
“And the gold?” asked Gervaise in a low voice.
Her anxious glances searched the corners and sought amongst all that
filth for the resplendence she had dreamt of. But Coupeau burst out
laughing.
“Gold?” said he; “why there’s some; there’s some more, and there’s some
at your feet!”
He pointed successively to the fine wire at which his sister was
working, and to another roll of wire, similar to the ordinary iron
wire, hanging against the wall close to the vise; then going down on
all fours, he picked up, beneath the wooden screen which covered the
tiled floor of the work-room, a piece of waste, a tiny fragment
resembling the point of a rusty needle. But Gervaise protested; that
couldn’t be gold, that blackish piece of metal as ugly as iron! He had
to bite into the piece and show her the gleaming notch made by his
teeth. Then he continued his explanations: the employers provided the
gold wire, already alloyed; the craftsmen first pulled it through the
draw-plate to obtain the correct size, being careful to anneal it five
or six times to keep it from breaking. It required a steady, strong
hand, and plenty of practice. His sister would not let her husband
touch the wire-drawing since he was subject to coughing spells. She had
strong arms for it; he had seen her draw gold to the fineness of a
hair.
Lorilleux, seized with a fit of coughing, almost doubled up on his
stool. In the midst of the paroxysm, he spoke, and said in a choking
voice, still without looking at Gervaise, as though he was merely
mentioning the thing to himself:
“I’m making the herring-bone chain.”
Public-domain text, read in full here on John Shaqi.
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